Went out today and bought a couple of Naxos recordings. I'd never bought any of that label before, but I wanted to give a listen to some of Marin Alsop's work and that was the only game in town. The first one I tried was the Brahms First Symphony with Alsop conducting the London Philharmonic. I thought I might be having a bad day when I had to strain to hear the pizzacato strings early in the first movement, but then my wife who was far from the sweet spot and listening only casually while doing something else spoke up and said, "What's wrong with the system?
There are a lot artists who try as you and they might, never really grab ya. Then there are those who made one single that for some odd reason touched you. No, not there! In the heart or the head or some combination of both. Most are pop artists. And most of these one track wonders fall into the category of the "guilty pleasure."
I love rules of thumb, deep wisdom that can be sketched in verbal shorthand. The website <I>Painter Creativity</I> offers 10 rules for naive artists and designers, but they could very easily apply to any freelancer. Most of these are pretty obvious, but when you're hustling for work and worried about that monthly rent bill, you can panic sometimes and fall for the old "I'll gladly pay you Tuesday" line.
Riders, or the contracts laying out what rock groups require for their performances, can range from straight ahead to the ridiculous—as in Van Halen's famous "no brown M&Ms" clause. Iggy Pop's backline rider is <I>intentionally</I> hilarious.
Been thinking lately about how crappy the future would be if the only way you could purchase your music would be to download it via the internet. In other words, when recordings are no longer being sold as physical objects [LPs/CDs]. I include uncompressed files here too [flac, wav, etc] Reasons:
On our daily rides, Jeff Wong and I have watched a few of these abandoned bikes disassembled part by part as they serve as donor bikes for urban scavengers. Ultimately, all that's left is a lock and a frame—or, sometimes, just part of a frame.
Jeff Wong sends along this smokin' version of "Perdido" by the Duke Ellington band. About midway through, after some great solos by band stalwarts Jimmy Hamilton and Ray Nance, the camera pans back and we see Paul Gonsalves sound asleep on the bandstand, forcing Hamilton to cover Gonsalves' tenor sax solo.
<I>Furinkan High School Kendo Club</I> posts a spirited two-part attack on science fiction clichés. Erik Even's right that most of these are tired—but Joss Whedon has proven time and time again that a new spin can make even the lamest plot devices come alive. So add a codicil to all of these rules: "unless you are a genius."
Ayre President Charlie Hansen Injured In Cycling Accident
Oct 04, 2006
On Saturday, September 30, Ayre Acoustics founder and president Charlie Hansen sustained serious injuries while bicycling in the foothills near his Colorado home. Hansen is currently recovering in Boulder Community Hospital ICU, following surgery.
Went out today and bought a couple of Naxos recordings. I'd never bought any of that label before, but I wanted to give a listen to some of Marin Alsop's work and that was the only game in town. The first one I tried was the Brahms First Symphony with Alsop conducting the London Philharmonic. I thought I might be having a bad day when I had to strain to hear the pizzacato strings early in the first movement, but then my wife who was far from the sweet spot and listening only casually while doing something else spoke up and said, "What's wrong with the system?