It only rattles at very low frequencies. Does this mean the driver is blown/starting to blow?

Also is there a pair of very bassy headphones anyone can recommend?

Hey All- I have reason to be in The City in a few weeks, Tuesday July 22nd to be exact, and thought it'd fun to meet up for some vinyl hunting, drinks or whatever. Stephen already confirmed he's free for at least a couple of drinks, so I think I'll leave it to him to choose the place.

So my new Rega P2 turntable (no glass platter) looks like it wobbles a little even with new records. It looks like the tonearm is floating up and down slightly.

Is this either common or acceptable? I got it from a dealer, so I'm sure they'd replace the platter (if that is indeed the problem).

Guys,

What's the recommenended listening distance for these speakers, I have them 7' apart left spkr 4.5' from side wall and right speaker 24" from side wall with the speaker 36" from back wall. The speakers are tilted 3" and I'm listening at 9' per manual, I'm I too far away and would 7' be too close? My listening height is 43". Any help will be greatly appreciated.

Thanks,
Wig

rants-ML-43995-ML-

June 25th, Clifton and myself were winding down a discussion and Ethan Winer entered in and compared graph "A" (20-2khz measurements of room response) to the frequency response of a Bryston amplifier. I immediately saw a couple of problems.

1) Comparing the two graphs is completely inappropriate as I shall discuss near the bottom of the post.

2) Graph "A", which was suposedely a measurement of the room response in a normally furnished but untreated room at low frequencies, immediately raised red flags as to its accuracy.

Wow! I have just made the acquaintance of this superb fiddler via his disc of the Beethoven Violin Concerto and Romances (Philips 462 123-2) recommended by a friend who is a professional violinist. How on earth did I miss him? The guy has chops! Warmly, warmly recommended Audiophile siblings.

Elk, I notice he is a fellow alumnus of the Mozarteum, I don't suppose you were contemporaries by any chance?

I keep rereading the P3-24 review and a comment made by Peter McGrath keeps getting to me. "For piano, vinyl sucks!"