Two years ago, I embarked on a series of reviews of mostly state-of-the-art, mostly full-range floorstanding speakers: the <A HREF="http://www.stereophile.com/floorloudspeakers/1207sonus">Sonus Faber Cremona Elipsa</A> (December 2007), <A HREF="http://www.stereophile.com/floorloudspeakers/208kef">KEF Reference 207/2</A> (February 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/408psb">PSB Synchrony One</A> (April 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/508mag">Magico V3</A> (May 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/708ava">Avalon NP Evolution 2.0</A> and <A HREF="http://www.stereophile.com/floorloudspeakers/708ava/index1.html">Epos M16i</A> (July 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/808eso">Esoteric MG-20</A> (August 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/dynaudio_sapphire_loudspea… Sapphire</A> (January 2009), and <A HREF="http://www.stereophile.com/floorloudspeakers/608revel/index6.html">Revel Ultima Salon2</A> (March 2009). I had intended to intersperse those reports with coverage of some high-performance minispeakers, but for various reasons that never happened, so in the next few issues I'll be making up that lost ground, beginning with a promising contender from the UK, the Spendor SA1.

Two years ago, I embarked on a series of reviews of mostly state-of-the-art, mostly full-range floorstanding speakers: the <A HREF="http://www.stereophile.com/floorloudspeakers/1207sonus">Sonus Faber Cremona Elipsa</A> (December 2007), <A HREF="http://www.stereophile.com/floorloudspeakers/208kef">KEF Reference 207/2</A> (February 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/408psb">PSB Synchrony One</A> (April 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/508mag">Magico V3</A> (May 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/708ava">Avalon NP Evolution 2.0</A> and <A HREF="http://www.stereophile.com/floorloudspeakers/708ava/index1.html">Epos M16i</A> (July 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/808eso">Esoteric MG-20</A> (August 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/dynaudio_sapphire_loudspea… Sapphire</A> (January 2009), and <A HREF="http://www.stereophile.com/floorloudspeakers/608revel/index6.html">Revel Ultima Salon2</A> (March 2009). I had intended to intersperse those reports with coverage of some high-performance minispeakers, but for various reasons that never happened, so in the next few issues I'll be making up that lost ground, beginning with a promising contender from the UK, the Spendor SA1.

Two years ago, I embarked on a series of reviews of mostly state-of-the-art, mostly full-range floorstanding speakers: the <A HREF="http://www.stereophile.com/floorloudspeakers/1207sonus">Sonus Faber Cremona Elipsa</A> (December 2007), <A HREF="http://www.stereophile.com/floorloudspeakers/208kef">KEF Reference 207/2</A> (February 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/408psb">PSB Synchrony One</A> (April 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/508mag">Magico V3</A> (May 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/708ava">Avalon NP Evolution 2.0</A> and <A HREF="http://www.stereophile.com/floorloudspeakers/708ava/index1.html">Epos M16i</A> (July 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/808eso">Esoteric MG-20</A> (August 2008), <A HREF="http://www.stereophile.com/floorloudspeakers/dynaudio_sapphire_loudspea… Sapphire</A> (January 2009), and <A HREF="http://www.stereophile.com/floorloudspeakers/608revel/index6.html">Revel Ultima Salon2</A> (March 2009). I had intended to intersperse those reports with coverage of some high-performance minispeakers, but for various reasons that never happened, so in the next few issues I'll be making up that lost ground, beginning with a promising contender from the UK, the Spendor SA1.

As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks&#151;think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).

As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks&#151;think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).

As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks&#151;think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).

As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks&#151;think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).

As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks&#151;think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).