Good sound
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Quote:
The financial reform bill expected to clear Congress this week is chock-full of provisions that have little to do with the financial crisis but cater to the long-standing agendas of labor unions and other Democratic interest groups.Principal among them is a measure to make it easier for unions, environmental groups and other activist organizations that hold shares to put their representatives on the boards of directors of every corporation in the United States.
Sad news. One of the modern greats is gone:
So I'm watching "Covert Affairs" (pilot show on USA Network) and I see a character (CIA operative) sporting a pair of Grado wood bodies. Cool, I think.
But then the lead (Piper Perabo) asks him what the phones are for and HE SAYS OUT LOUD! "Oh, Grado RS2's. Great for monitoring operations...and listening to Mingus when I'm supposed to be working."
How often does hi fi AND jazz get a plug on a tv show??? 
Can anyone familiar with the Cambridge Audio Azur 640P phonostage let me know if this unit is good enough for a newcomer to vinyl? I am just getting into vinyl and don't want to spend much on a phono stage in case I don't care for it. On the other hand I need to get a unit good enough to let me hear the wonders of vinyl to see if this is for me.
I don't want to spend more than $200.
http://www.france24.com/en/20100709-vale...der-ten-seconds
"First person of genetically european origin= "First pasty ass white boy"
Some of the things I've always loved when listening to great audio, is the way instruments and voices just hover in the listening room, the way the treble works as a natural extension to the midtones, and not plays all the time no matter if it should or not. The way the bass plays different notes that are fast and easily recognizable, and starts and stops immediately when needed. The way the drums, cymbals and hi-hats are clearly "visible" in the soundstage, the recording rooms borders.