I have a soft spot in my heart (some say my head) for transmission-line designs. I remember being entranced by the authoritative but effortless bass of John Wright's IMF and TDL Monitors, and I have been inspired to experiment by building my own lines in various sizes. Then, as demonstrated by Bryston's Jim Tanner at the 1997 WCES and at HI-FI '97, PMC's IB-1S loudspeakers threw an enormously deep soundstage. (I have a soft spot for that as well.)

I have a soft spot in my heart (some say my head) for transmission-line designs. I remember being entranced by the authoritative but effortless bass of John Wright's IMF and TDL Monitors, and I have been inspired to experiment by building my own lines in various sizes. Then, as demonstrated by Bryston's Jim Tanner at the 1997 WCES and at HI-FI '97, PMC's IB-1S loudspeakers threw an enormously deep soundstage. (I have a soft spot for that as well.)

I have a soft spot in my heart (some say my head) for transmission-line designs. I remember being entranced by the authoritative but effortless bass of John Wright's IMF and TDL Monitors, and I have been inspired to experiment by building my own lines in various sizes. Then, as demonstrated by Bryston's Jim Tanner at the 1997 WCES and at HI-FI '97, PMC's IB-1S loudspeakers threw an enormously deep soundstage. (I have a soft spot for that as well.)

I have a soft spot in my heart (some say my head) for transmission-line designs. I remember being entranced by the authoritative but effortless bass of John Wright's IMF and TDL Monitors, and I have been inspired to experiment by building my own lines in various sizes. Then, as demonstrated by Bryston's Jim Tanner at the 1997 WCES and at HI-FI '97, PMC's IB-1S loudspeakers threw an enormously deep soundstage. (I have a soft spot for that as well.)

I have a soft spot in my heart (some say my head) for transmission-line designs. I remember being entranced by the authoritative but effortless bass of John Wright's IMF and TDL Monitors, and I have been inspired to experiment by building my own lines in various sizes. Then, as demonstrated by Bryston's Jim Tanner at the 1997 WCES and at HI-FI '97, PMC's IB-1S loudspeakers threw an enormously deep soundstage. (I have a soft spot for that as well.)

In a brief statement, <A HREF="http://www.internationalaudiogroup.com/">The International Audio Group</A> (IAG) announced on June 28 that it has purchased the <A HREF="http://www.mission.co.uk/">Mission</A&gt; business from the Administrators of Symphonix. In a separate transaction, IAG reports that it has also purchased the Mission brandname from NXT.

<I>Note: this article has been updated at the bottom on July 5, 2005 with a statement from Nagra CEO G&#233;rard Beuchat.</I>

<I>Good Morning America:</I> The war for listeners between XM Radio and Sirius Satellite Radio has seen MLB go to one broadcaster (XM) and Howard Stern to the other. On June 21, Sirius announced an agreement that will put the BBC's popular Radio 1 on a time-shifted broadcast schedule. The time-shift will enable American listeners to hear Radio 1's broadcast day "as it was intended&mdash;with Chris Moyles' <I>Breakfast Show</I> in the morning, Scott Mills' show in the afternoon, and kicking off the weekend with Pete Tong's Friday night <I>Essential Selection</I>," according to a press release.

The music industry and the file-sharing community have been waiting nervously for the impending Supreme Court decision in <A HREF="http://www.stereophile.com/news/041105supremes/index.html">MGM <I>vs</I> Grokster</A>, which is expected any day. At stake is not only peer-to-peer (P2P) file sharing, but the development of future forms of music distribution.