Is "Laura in Spokane" the world's only female audiophile?

Sorry to call her out, but I was just curious to see, week after week in the Vote section, only ONE obviously (allegedly since you can write anything) female voter. I've never seen her post anything on the Forums, and sadly, the only other woman I'm aware of posting is May Belt.

Cary CDP1 and Rega Saturn/recommended component question

I am not really sure where to post this query. I was recently flipping through the November, 2008 issue, and Sam Tellig mentions that the Cary CDP1 is his current reference. I refer back to the April, 2007 issue in which he discusses that player, as well as the Rega Saturn. His conclusion was that he was not sure which to purchase.

Too Hot, Sugar

Too Hot, Sugar

This weather is pointless. Pointless! What's the use of all this snow and ice? Don't tell me it looks pretty. I'm just not fit for this sort of cold. It's days like today after windy winter nights like last, when the temperatures plunge into the single digits and my apartment's old pipes freeze, that I wish I had an entire fleet of fiery amps to keep me warm.

Can We Agree to Disagree? (LP vs CD)

Can We Agree to Disagree? (LP vs CD)

I had a wonderful chuckle while reading the reviews of the Finial Laser Turntable in the May 1990 issue of <I>HFN/RR</I>. Perhaps I should preface this by saying that, in the entire quarter-century since I became intensely involved in audio, I have always found the LP an unsatisfactory playback medium for music. As a regular concert-goer in Boston and an addict of WGBH-FM's simply miked, virtually unprocessed live broadcasts of BSO concerts direct from Symphony Hall, I never learned to ignore the many anti-musical distortions endemic to LPs&#151;the ticks and pops, the inner-groove congestion and tracing distortion, the harsh mistracking of high-level climaxes and overcut grooves, the persistent static in dry winter air, the constant slight wow due to off-center spindle holes, the muddy bass due to resonances and feedback, the universal cutting engineer's practice of blending low bass into mono (which wipes out low-frequency hall ambience).

Vinyl vexation

I recently read Bob Bairds article on the recent revival of a record pressing plant in Brooklyn, NY.
Looking at some of the photos, it appears as if the vinyl compound is the same schwag that's been used for the past 60 or so years.

Hasn't chemical engineering advanced just a little since 1950? Or is vinyl LP manufacture regarded as a "poor relation" that is simply not worthy of further development?

The little Sony Playstation-dang!

I don't know if this would be classified as a tweak, but I guess it could be considered a tip, so I'll post here.

The last day or so, I've been listening to a CD burned from a download of the Ultimate Demo Disk 2 from Chesky Records.

I downloaded it as a set of FLACs and converted them to AIFF with Max, and burned a CD in iTunes. Been listening to the CD the last few days on my state of the art Sony Playstation, SPCH-101. I bought one of these for a whopping $34.95 on eBay after reading Art Dudley's review of it in October.

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