That the first big room I visited sounded as good as it did, which was far from the best I’ve heard those components sound, was due to the expertise of setup wizard Stirling Trayle. A lot of room treatment was brought in at first, but after Trayle did his thing, most of it was stashed in a hallway. The system, from Nordost, VTL, and YG Acoustics, was headlined by VTL’s Siegfried Series II monoblocks ($75,000/pair), TP-6.5 Series II phonostage ($12,500), and TL-7.5 Series III linestage preamplifier ($30,000); a special edition of YG Acoustics Sonja 2.3 loudspeakers wired with Nordost ($112,800/pair); and enough Nordost Odin 2 cabling and power products to keep several silver and copper mines operating for weeks.

The big news in the Musical Surroundings room was the introduction of the AMG Viella Forte 12 Turbo turntable ($30,000), shown in its engraved version ($32,000).

Do VAC tube components possess chameleon-like powers? That's the question I've begun to ask: Each time I encounter their components in different settings, I hear radically different sound. Here, from a system including Nola's towering new Concert Grand Reference Gold 2 loudspeakers ($250,000/pair), an Audio Research REF CD8 CD player, Nordost Odin 2 cabling, and VAC's Statement 450S IQ amplifier ($63,000), Master line stage ($28,000), and VAC DAC MK II ($12,000), the sound was midrange preponderant—not at all what I expected to hear from either VAC electronics or a 275lb open-baffle line-source array design with a claimed frequency range of 18Hz–100kHz, 91dB sensitivity, and 8 ohm impedance. I think the room was simply too shallow in depth, with seats too close, for these speakers to strut their stuff.