LATEST ADDITIONS

J. Gordon Holt  |  May 08, 2018  |  First Published: Dec 01, 1969  |  6 comments
The first time we saw an AR amplifier (at a Hi-Fi Show), we were struck by its bland, almost antiseptic appearance. Amidst all those other audio products that looked as though they had been high-styled for Madame's boudoir, the unadorned simplicity of the AR amplifier made it stand out like an Eames chair at Williamsburg.
Robert Baird  |  May 08, 2018  |  1 comments
Saturday night in hipster Brooklyn . . . yet there could have been actual sawdust on the floor. Inside National Sawdust, a youngish crowd, many clearly ready to party, were shuffling, some were full-blown jitterbugging, while onstage the Lost Bayou Ramblers, a progressive young Cajun band who'd at first seemed a bit awed by their futuristic surroundings, were slugging beers, sawing a fiddle, squeezing an accordion, and generally finding their groove.
J. Gordon Holt  |  May 08, 2018  |  First Published: Dec 01, 1970  |  6 comments
Pentangle: The Pentangle
Terry Cox (drums), Bert Jansch & John Renbourn (guitars), Jacqui McShee (vocals), Danny Thompson (double bass), Shel Talmy, prod.
Transatlantic TRA162 (English LP), Reprise RSLP63 15 (US LP). TT: 30:52.

The first "pop" recording we've ever reviewed in Stereophile may set a precedent for future reviews if there are others that sound like this. To this untutored ear, the material is rock out of raga, but it is beautifully done and, except for the larger-than-life singer, the sound is almost shockingly good. No filthy fuzzed-up guitars here, and the pickup of the double-bass simply has to be heard to be believed. Get it, at least as a demo.

John Atkinson  |  May 07, 2018  |  22 comments
Photo: Corrina Jones

When JD Events' Liz MiIler invited me to give the keynote speech at the 2018 AXPONA, in Chicago suburb Schaumburg, I was at first not sure what to talk about. But then I realized that not only was 2018 the 32nd anniversary of my joining Stereophile as editor and the 42nd anniversary of my joining Hi-Fi News & Record Review magazine as a lowly editorial assistant, it also marked 50 years since I bought my first audio system!

Art Dudley  |  May 04, 2018  |  45 comments
Herb and Jana were visiting me in Albany, NY, at the 1936 semi-mock-Tudor house I now call home. The real star of this video is my dog, Chatter Dudley, an 8-year-old Jack Russell Terrier with a fierce fondness for Herb Reichert (they had met once before), and who had Jana Dagdagan saying, by the end of the day, "I wish I had a dog." Unfortunately, the cameras weren't running when Chatter took a running leap to sit next to Herb while he was on the couch, listening to the blue-vinyl version of Puente Celeste's Nama.
Jason Victor Serinus  |  May 03, 2018  |  13 comments
The Los Angeles Audio Show (LAAS), scheduled for June 8–10 in Orange County, opposite the John Wayne International Airport at the former sites of T.H.E. Show, seems to have been cancelled. Although the LAAS website briefly contained a note that conversations were in progress about the possibility of the show being saved by the Los Angeles & Orange County Audio Society (LAOCAS), that note has now been removed.
Herb Reichert  |  May 03, 2018  |  12 comments
While covering CanMania at the 2017 Capital Audiofest, I was sitting at the table of HeadAmp Audio Electronics, listening first to John McEuen singing Warren Zevon's "Excitable Boy," from McEuen's Made in Brooklyn (24-bit/192kHz AIFF, Chesky JD388/HDtracks), then to Macy Gray's Stripped (24/96 AIFF, Chesky JD389/HDtracks). I was listening through HeadAmp's extraordinary GS-X Mk.2 headphone amplifier ($2999–$3199), but midway through Gray's "I Try," I stopped, pulled the Audeze LCD-4 headphones off my head, and asked HeadAmp's head of sales and marketing, Peter James, what DAC he was using.

"Do you know the HoloAudio Spring DAC?"

Ken Micallef  |  May 03, 2018  |  6 comments
We're well past the day when the sound of top-tier tube amplifiers can be described as "syrupy" or "too warm" or producing "soft bass." Equally true, solid-state designs have reached a level of maturity at which "sweetness," "fluidity," and "flow" are similarly applicable descriptors, thus smashing the cliché of "cold transistor sound."
Fred Kaplan  |  May 02, 2018  |  6 comments
The Final Tour, Volume 6 of Columbia Legacy's Miles Davis Bootleg Series—documenting Miles' quintet, featuring John Coltrane, live in Europe in March 1960—is one of the most revelatory new-old jazz albums in recent years. Of the five concerts on the 4-CD boxed set, one of them—the March 24 date in Copenhagen—is now out on 180-gram LP, and not only is the music thrilling, the sound quality is extraordinary: as vibrant as just about any live album in the Miles catalog.
Stereophile Staff  |  May 02, 2018  |  0 comments
A selection of gear from Gryphon Audio Designs, the Danish firm founded some 33 years ago by Flemming Rasmussen, will be introduced to listeners at a special event on Thursday, May 3, at The Sound Environment, 11021 Elm Street, Omaha, NE.

Pages

X