LATEST ADDITIONS

Wes Phillips  |  Jun 03, 2019  |  First Published: May 01, 1995  |  30 comments
"They cost WHAT? A hahahahahaaa!"

Nothing is more guaranteed to amuse non-audiophiles than the subject of high-end cable pricing. "I'm sorry. I don't mean to laugh at you, but...bwah ha ha haaa!" Who can blame them? Even in the hi-fi camp, there are those who are convinced that wires are no more than hideously expensive tone controls. "Hmmpf, cackle. Snort!"

Others hold that, differences in resistance, capacitance, and inductance aside (footnote 1), the whole high-end cable market is just an exercise in mass self-delusion. "Really, how much are they?"

Jason Victor Serinus  |  May 31, 2019  |  10 comments
With Trachea, the latest superb recording from Norwegian label 2L [http://www.2l.no], label founder and recording engineer Morten Lindberg continues his commitment to contemporary music. Here, working with Schola Cantorum, Norway’s well-tuned 55-year old chamber choir, under the leadership of Tone Bianca Sparre Dahl, Lindberg scores big with six fascinating and musically accessible choral compositions, all but one of which were written in the last five years.
Stereophile Staff  |  May 31, 2019  |  3 comments
This special event in Toronto includes first North American preview of Luxman's new flagship vacuum tube pre-amplifier.
Ken Micallef  |  May 30, 2019  |  4 comments
Louisiana-born, 58-year-old saxophonist Branford Marsalis has achieved singular status in the worlds of both jazz and classical music. He cut his teeth playing hard-hitting hard bop with Art Blakey's Jazz Messengers, led The Tonight Show band, and kicked it with the Grateful Dead. He's toured and recorded with Sting, costarred in the Spike Lee film School Daze (1988), and made his classical debut with the New York Philharmonic performing Glazunov's Concerto for Alto Saxophone on Central Park's Great Lawn.
J. Gordon Holt  |  May 30, 2019  |  First Published: Mar 01, 1963  |  10 comments
The 880P is a moving-magnet stereo cartridge for use in transcription arms and the few high-quality record changers now available, such as the Garrard Model A and the Lesa units. It has standard ½" mounting centers, and the pickup requires the 47k ohm termination provided by most preamplifiers. The 8mV output, too, is about ideal for nearly all preamps.
Jason Victor Serinus  |  May 28, 2019  |  23 comments
British digital-audio specialists dCS (Data Conversion Systems) has been on a roll. Since the September 2015 introduction of the Rossini DAC ($23,999), the single-box Rossini Player ($28,499), and the Rossini Clock ($7499), they've released a number of new products and software/firmware updates. In 2016 came network firmware updates that established dCS DACs and Players as Roon endpoints. 2017 brought improved (v1.05) software for the Rossini DAC and Player, and 2018 an update to process MQA, followed by the October 2018 introduction of the Rossini upsampling SACD Transport ($23,500—see John Atkinson's review in the May 2019 Stereophile). Then, in January 2019, dCS released their Rossini v2.0 software, which applies to both the Rossini DAC and the Rossini Player, and which is offered free to Rossini owners.
Robert Harley  |  May 28, 2019  |  First Published: Nov 01, 1994  |  0 comments
If there's one buzzword in high-end audio for the 1990s, it's undoubtedly jitter. "Jitter" describes timing variations in the clock controlling the ones and zeros that represent the analog audio signal. If that clock isn't stable to an extraordinarily precise degree, the sound quality of the digital processor will be degraded.

A CD transport/digital processor combination introduces jitter in three ways: 1) the transport puts out a jittered signal; 2) the S/PDIF or AES/EBU interface between the transport and processor creates jitter; and 3) the digital processor adds its own jitter to the clock. These additive factors are largely responsible for the great range in sound quality we hear from different transports and interfaces.

Herb Reichert  |  May 23, 2019  |  101 comments
I had never been alone with a Russian-manufactured 6C33C tube. At least not at night, in the dark. The first night Balanced Audio Technology's VK-56SE tubed amplifier was in my system, I sat on the floor studying the unusual shape and dark orange glow of its four 6C33C-B output tubes. I noticed their brightly lit, cathedral-like innards. My Russian neighbor told me they were used as regulator tubes in MiG jets during the Cold War. I could believe it—their exposed cathodes were the exact color of the Soviet flag. From more than a foot away, I could feel the heat from their high-amperage filaments.
Herb Reichert  |  May 23, 2019  |  3 comments
Every time I review a digital-to-analog converter, my memory drifts to the spring of 1983, when the first Compact Discs arrived at Tower Records in New York City. They appeared in the opera section. Sitting next to big, thick boxed sets of opera LPs, these new discs looked truly compact. A few months later, boxed sets of popular opera LPs, in almost untouched condition, began selling in the Tower Annex for $1/disc.
Art Dudley  |  May 21, 2019  |  33 comments
It's a toss-up: The house where my family and I lived for 15 years was bigger than the one we have now, and had a much nicer view. On the other hand, we now live in a less economically depressed region, as suggested by the relative scarcity of inflatable lawn decorations. During the last year I saw in my neighborhood far fewer leprechauns, reindeer, Easter Bunnies, purple-and-green Draculas, and turkeys wearing pilgrim hats (which makes about as much sense as Russian soldiers wearing lederhosen). I find those things unspeakably sad, because they're horrible, cheap, gaudy wastes of money.

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