What do you think the color to color variability is in the sound?
We also don't hear much about which veneers sound best on any given speaker.
Walnut? Cherry? Maple?
I'm sure they all have sonic differences, no?
(I mean, if someone can tell the best arrangement of screw tightening pattern for the lid of an amplifier, something as vast as veneer characteristics should have easily differentiated sonics.)
Some of us hear such minute things, you'd think this issue would come up more often.
For myself, I didn't like how one set of speakers I auditioned sounded in piano lacquer finish, but the matt black was terrific.
I never got a chance to hear all the wild variability that a set of magazine reviewers could hear between different colored Wharfedale speakers back in the day. That would have been cool. The differences would have been based solely on the different physical characteristics of the different finishes, right?
What do you think the color to color variability is in the sound?
We also don't hear much about which veneers sound best on any given speaker.
Walnut? Cherry? Maple?
I'm sure they all have sonic differences, no?
(I mean, if someone can tell the best arrangement of screw tightening pattern for the lid of an amplifier, something as vast as veneer characteristics should have easily differentiated sonics.)
Some of us hear such minute things, you'd think this issue would come up more often.
For myself, I didn't like how one set of speakers I auditioned sounded in piano lacquer finish, but the matt black was terrific.
I never got a chance to hear all the wild variability that a set of magazine reviewers could hear between different colored Wharfedale speakers back in the day. That would have been cool. The differences would have been based solely on the different physical characteristics of the different finishes, right?