Has anyone seen cable elevators used at live events or recording sessions when they actually make the music you play back and now the wire on teh floor matters? How come it didn't matter whan they where making teh original recordings? Oh, I guess these studios don't understand how wire vibrates, causing electrons to get confused and loose their direction? Do these cable elevators take you to the looney ward at teh top of the looney pile? Is it technically an "elevator" not a mere support post, pole? Why are they not adj, with a test CD, so you can "optimize the height for different cables, how can the mfg of these know how each cable is gonna react to different spacings from teh surface? hmmmm, I see the MKII coming, now with variable height function, to critically optimize your cables and useing teh CD tuning test disc, you insure the most perfect results!!! Man, they could fleece, I mean get $500 for 10 with teh CD!!! What won't an audiophile beleive? didn't ceramic poles solve the non problem just a while back? What if you paint the ceramic ones ya got now, with condutive paint, to make them conductive? Wouldn't that cure this issue of whatever some ad researcher discovered? How come there are no specs in teh ad for what these things disapate, what is their working voltages, you know like surge arresters, at what voltage do these elevators do their job? What freqs

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