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Kal Rubinson had a different sample of the DX-5, which he will be reviewing in a multichannel context in the January 2011 issue.
It was set-up correctly. Michael just wasn't as impressed by its performance with SACD as he was with hi-rez PCM material.
I have just received a third sample of the DX-5, which has been updated to work correctly with 174.6kHz and 192kHz PCM data via USB2.0. I will be reporting on how it functions in that role, as well as comparing its SACD performance with that of the Ayre C-5xeMP that I purchased 5 years ago, in a spring 2011 follow-up report.
John Atkinson
Editor, Stereophile