Where Measurements and Performance Meet featuring Andrew Jones
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LATEST ADDITIONS

Innovative Audio: Three Men and An Awesome System

From left: Dan D’Agostino, Vince Galbo of MSB, and Peter McGrath of Wilson Audio Specialties.

In association with Innovative Audio, these gentleman put together a high-performance system made of Wilson Alexia loudspeakers ($48,500/pair); D’Agostino Momentum monoblocks ($55,000/pair) and Ultra-Analog preamplifier ($32,000 with power base); MSB Diamond DAC IV Plus ($27,995) with FemtoSecond Galaxy Clock ($4995), Diamond Stepped Attenuator ($2995), USB2 Signature 384kHz input option ($1395), Pro IS input option ($995), Diamond ($5995) and Signature ($4995) power bases, and Platinum Data CD IV disc player ($3995); and Transparent Reference XL speaker cables ($13,160/pair), balanced interconnects ($9270/pair), and digital interconnects ($3195 each). Power conditioning was also from Transparent, while the equipment was supported by Finite Element Pagode racks.

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VAS meets VPI

As an unabashed fan of amplifiers that use EL34 output tubes in Ultralinear circuits&#151an output architecture that, to my ears, almost always sounds colorful, well-textured, and believably lush&#151I was delighted that, in the VPI suite, a trio (!) of Joseph Audio Pearl loudspeakers were powered by a trio (!) of Citation 2 monoblock amplifiers from VAS Audio ($3000/pair&#151which, I guess, translates into $4500 for three). The Citation 2, which offers 50Wpc in Ultralinear but can also be switched to triode mode for 25Wpc, also uses 12AX7 and 12AU7 small-signal tubes, plus a 5AR4 rectifier, and its specially wound output transformers are said to be vacuum-potted.
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VPI's new tonearm

Tentatively named the JMW-3D (the suffix refers to the modeling technology used to create its high-tech tooling), VPI's new one-piece tonearm wand/headshell/bearing housing is molded from epoxy resin, which promises to resist sound-coloring resonances while remaining comparatively immune to the problem of energy storage. Although pricing has yet to be determined, VPI's Harry Weisfeld suggests that the arm may be expensive at first, although he hopes that prices may moderate as the production process itself becomes less expensive. The new arm is seen here on a prototype of the VPI Classic Direct, a direct-drive turntable based on the Classic chassis (projected price: ca $20,000).
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Channel D

Here's Channel D's Rob Robinson, who reminded visitors to the room he shared with Joseph Audio that the fine-sounding 24/192 vinyl drops we enjoyed therein (Priscilla Ahn's "A Good Day" comes to mind) were done using his Pure Vinyl software, with RIAA equalization performed in the digital domain.
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Joseph Audio

Let's just come out and say it: loudspeaker designer Jeff Joseph, of Joseph Audio, always makes a good sound, and his system's performance at this venue was no exception: organic, open, natural, un-spectacular, un-bombastic, and just plain lovely. The speakers in question were the Joseph Audio Pulsars ($7000/pair), driven by a Unison Unico 50 amplifier ($1450), fed by a Lynx Hilo D/A converter (street price: $2500) and a laptop equipped with Channel D's Pure Music software ($129). Cables were by Cardas.
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Gamut and VPI at Woodbridge Stereo

"Glad," a jazz-tinged instrumental by the English band Traffic, sounded great on a Gamut-intensive system from Woodbridge Stereo. Therein, the enormous Gamut S-9 loudspeakers ($101,999/pair in optional ash finish) were impressive, but I enjoyed even more the Gamut S-5 speakers ($30,000/pair), which did a nice job with the song's propulsive, almost Motown-esque beat. Other gear in the system included the Gamut D 150 integrated amplifier ($11,700), Pass Labs XP25 phono preamplifier (ca $10,000), and a prototype version of VPI's forthcoming Vanquish direct-drive turntable (price TBD), with VPI's similarly prototypical epoxy-resin JMW tonearm and a Soundsmith moving-iron phono cartridge. Very nice stuff.
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Reimyo and Combak

I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.
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Well Rounded Sound

Heard at the NYAS with a Leben CS600 integrated amplifier and an Arcam CD73 CD player, the smartly styled desktop loudspeakers from Well Rounded Sound impressed me far more than at previous shows. Their standard Corgi model ($799/pair), used in parallel with a pair of their passive Woof 4 woofers ($399 each) were surprisingly engaging on the Jimmy Cobb Quartet's Jazz in the Key of Blue: explicit without being bright, with decent color and impact. At NYAS 2013, Well Rounded also debuted two new models: the Jack Terrier SE ($349/pair, shown on the left) and the Corgi Mini ($399/pair, shown on the right).
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