LATEST ADDITIONS

Recordings of December 1986: Two Out-of-Character Recordings

J. Gordon Holt Nov 18, 2013

REFLECTIONS
666rotm.reflections.jpg

Jim Walker, flute, Mike Garson, piano
Reference Recordings CD RR-18CD.

DEBUSSY: Quartet in g
RAVEL: Quartet in F
The Cleveland Quartet
Telarc CD-80111.

What do you listen to when you've heard Reference Recordings' Symphonie Fantastique, Telarc's 1812 Overture, and Sheffield's Firebird, the last of your audiophile guests have gone home, and tomorrow's a workday but you're too hyped up to go to bed?

These.

Both are from record companies whose reputations were built on sonic blockbusters, but the subjects of this review are about as true to expectation as Mr. T flouncing about with a limp wrist.

Reflections is a program of short works for flute and piano. It's quiet, restful, and, in an age when it seems that nothing is worth listening to unless it's high-powered or "significant," this laidback program is a delightful change of pace.

Headphone Reviews InnerFidelity

A Headset for Everyone: The Sennheiser Momentum On-Ear

Tyll Hertsens Nov 18, 2013

This story originally appeared at InnerFidelity.com

Sure...there's a few trade-offs here and there, but I have a hard time imagining an on-ear portable headset can get much better than this!

Ariel Bitran

CAD MH510 Over-Ear Headphones

Ariel Bitran Nov 14, 2013

This is Carter B. of Austin, Texas, one of the winners of our CAD MH510 over-ear headphone sweepstakes. After I sent Carter and our second winner, Jesus C. of Plainsboro, New Jersey, their prizes, I realized the Stereophile office had one extra set of these headphones. Hmm…

I was in the market for some monitoring headphones, and CAD traditionally makes microphones for recording. Could the CAD MH510 ($159.00) be the headphone I was looking for?

Stephen Mejias

Burger Records: A Wonderful Way to Live

Stephen Mejias Nov 13, 2013

For me, and many people like me, the 365 days that comprise a calendar year are more than just a tidy representation of a brief period of life. Those 365 days mark a period of music discovery, filled with disappointments, surprises, and, if we’re lucky, one or two completely life-altering revelations.

If discovering a new artist is great, even better is discovering an entire record label of exciting new artists. It happens for me with increasing reliability:

Stephen Mejias

The News about DSD

Stephen Mejias Nov 13, 2013

For many, the current hot topic in the world of high-end audio is Direct-Stream Digital (DSD), a method, developed by Sony and Philips, of digitally encoding an analog signal. The irony is that DSD is nothing new. The basis of the technology dates to 1946. Stereophile described it in “Industry Update,” as early as Vol.19 Nos.1 and 5, and again in Vol.20 No.9. And, almost exactly 14 years ago, in November 1999, John Atkinson went into greater detail, contrasting DSD with the more common Pulse-Code-Modulated (PCM) encoding used on CD:

Features

Book Review: RA—The Book

John Marks Nov 13, 2013

RAThe Book: The Recording Architecture Book of Studio Design
By Roger D'Arcy and Hugh Flynn (illustrator), with photographs by Neil Waving. Foreword by Adrian Kerridge. Black Box Limited (London), 2011. $215. Hardcover, 15" by 10.5" by 1.25", 350 pp. ISBN 978-1-907759-16-1. Available from www.ra-thebook.com (ships from within the US).

In July 2004, I reviewed Jim Cogan and William Clark's Temples of Sound: Inside the Great Recording Studios, a collection of the business histories of 15 US recording studios. Each chapter covered a particular studio, focusing on its role in the careers of the recording artists most associated with that studio; eg, United Western Recorders and the Beach Boys.

Recording of the Month J. Gordon Holt

Recording of August 1986: Sheffield Lab's Orchestral Direct-to-Disc LP

J. Gordon Holt Nov 13, 2013

Stravinsky: The Firebird (1910 Suite)
Debussy: Prelude to the Afternoon of a Faun
Los Angeles Philharmonic, conducted by Erich Leinsdorf
Sheffield Lab Direct-to-Disc Lab 24 (LP). Lincoln Mayorga, prod.; Doug Sax, James Boyk, engs.

For some reason, Stereophile didn't receive an early pressing of Sheffield's latest orchestral recording, their first since the Wagner and Prokofiev discs back in 1977. So, guess where my review copy of this finally came from? From Harry Pearson, that's who. How did this come about? Well, I had seen a passing comment in The Absolute Sound to the effect that HP didn't like the recording, and since I was favorably impressed with what I'd heard of it at the last two Consumer Electronics Shows, I phoned HP to ask what he didn't like about it. "Dull high end, closed-in sound, not enough spaciousness" was the reply. Thank you, I said. Several days later, a copy of the disc arrived, postmarked Sea Cliff, NY.

Thank you Harry, but I must disagree with you about this recording.

News Stephen Mejias

Hi-Fi Expo Sofia 2013

Stephen Mejias Nov 13, 2013

Friday, November 22Sunday, November 24: The Hi-Fi Expo Sofia will be held at the Grand Hotel (1 Gurko Street, Sofia, Bulgaria). Over 250 high-end brands are expected to exhibit. Show manager Gergana Boeva reports that attendance has grown steadily over the show's first three years, attracting visitors from all throughout Bulgaria, as well as neighboring countries Serbia, Macedonia, Greece, and Romania. For more info, including a complete list of exhibitors, visit the show’s official website.

Ariel Bitran

Released Today: Vaadat Charigim's The World is Well Lost

Ariel Bitran Nov 12, 2013

Tel Aviv’s Vaadat Charigim debut album The World is Well Lost is understated. Simple guitar strums emerge from a low-lying cloud of noise. Drums are pushed to the background while singer/guitarist Juval Haring’s steady stream of baritone strides then tumbles. His syllables topple across the band’s constant pulse. Haring sounds tired, but the never-ending push of The World is Well Lost won’t let him give up.

J. Gordon Holt Headphone Reviews

Jecklin Float electrostatic headphones

J. Gordon Holt Nov 11, 2013

These are some of the most lusciously transparent-sounding headphones we've ever put on our ears, but we doubt that they will every enjoy much commercial success, for a couple of reasons.