LATEST ADDITIONS

Last week we asked about the cost of your system, but reader Matt H. suggested we ask about the cost of the software to feed it.

HDCD and <A HREF="http://www.hdcd.com">Pacific Microsonics</A> appear to be on a roll these days. The HDCD process, developed to coerce 20-bit performance out of the 16-bit CD format, is gaining several new licensees and is also appearing in more devices, as evidenced by several recent announcements. The company is also looking ahead to future DVD formats with an agreement intended to couple HDCD benefits with higher sampling rates.

For years, credit cards have allowed people to earn points toward air travel and automobiles, so earning credits for audio and video gear seems a no-brainer. Last week, Sony Electronics and Citibank launched the <A HREF="http://www.sony.com/sonycard">Sony Citibank Card</A>, a co-branded credit card that allows consumers to earn points toward the purchase of a variety of Sony entertainment and merchandise.

Saturday, September 26, thousands of enthusiastic audio-savvy attendees began swarming through the massive cavern of the Moscone Center's North Hall in San Francisco. They will continue to swarm until late Tuesday, September 29, the last day of the 105th <A HREF="http://www.aes.org/">Audio Engineering Society</A> Convention. The convention has attracted hundreds of companies whose products are extravagantly displayed in the huge space beneath the Yerba Buena Gardens. Demonstrations of new products and technologies also take place in smaller rooms off the main floor. Research papers are being presented in meetings throughout the four-day event.

We've been asked to run this question numerous times and thought it might be a bit inappropriate. But each week brings new e-mails from inquiring minds who have to know the answer. And so, we ask you:

It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.

Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the <I>real</I> business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.