LATEST ADDITIONS

Our <A HREF="http://www.stereophile.com/news/10430/">report</A&gt; two weeks ago on Grateful Dead Productions and its dispute with MP3 sites was tainted by some bits of misinformation. Dave Rosenberg, webmaster at <A HREF="http://www.otherones.net/">OtherOnes.net</A&gt;, has pointed out that his site did not receive a cease and desist order, but <I>was</I> asked to remove any Grateful Dead logo. Rosenberg was appreciative of the publicity the issue has received. "Thank you for publishing and making known the problems Deadabase is currently facing from Grateful Dead Productions," he wrote.

Now that we know a little about what you sit in while listening, how about the room you listen in?

The <A HREF="http://www.rounder.com/">Rounder Records Group</A>, one of the largest independent record labels in the US, has signed on with <A HREF="http://www.liquidaudio.com/">Liquid Audio</A> for digital music distribution on the Internet. As of April 28, Rounder will offer a substantial portion of its catalog for sale by digital download.

Last week, <A HREF="http://www.cddb.com">CDDB</A&gt; announced a newly designed, more user-friendly website for its large database of audio CD information. The database resource now provides free information on more than 360,000 CDs, which the company describes as the world's largest online CD music database. There are over 40,000 entries in the classical CD database alone, with rock logging three times as many entries at 126,000. The database gains about 500 new entries every day. Users can search by artist, album, or song title, and then cross-reference titles to other artists or discs.

Reuters has reported that <A HREF="http://www.sony.com">Sony Corporation</A> is experiencing a 20% drop in profits this year, brought about by poor showings from audio and video product sales, slow markets, price wars, and a lack of hit records. The report also stated that the electronics sector, which normally generates the bulk of Sony sales, saw operating profits decline by more than half compared to the previous year.

The night after we got home from the 1999 Consumer Electronics Show in January—see the report in this issue—my dear companion and I attended a performance of Madama Butterfly at San Francisco's beautifully refurbished War Memorial Opera House. It was a Tuesday evening, traditionally a big event for the Opera's benefactors. From our box seats, we had an excellent view of a production musically sumptuous and visually austere—and of a sea of gray and balding heads.

Reader Doug Cline just bought a new La-Z-Boy and likes the way it feels, but wonders about its effect on the sound. What do you prefer for listening?