Is your Pocket on Fire or Are You Happy To See Me?
Counterfeit products proliferate. Know your source, as we used to say in the '60s.
LATEST ADDITIONS
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We Are Warped
Our galaxy, that is. Wanna know why?
Andrew Lipinski Solves Show Room Acoustics Problem
Andrew and Lukas Lipinski, manufacturers of the L-707 monitor I <A HREF="http://stereophile.com/standloudspeakers/1205lipinski/">reviewed in December</A>, were fed up with poor room acoustics and slow foot traffic at trade shows. So they eliminated the room! Ray Kimber urged them to take the empty spot in the Alexis Park lunchroom for their demo setup. Andrew set up one of the few multi-channel demo systems at the Show using six L-707s, including the one for rear height information seen in the photo. Despite the din of the lunch crowd, all I had to do was sit in the nearfield, and I was bathed in sound from Andrew's multi-channel recordings, such as his new <I>Republique</I> SACD. For the photo, however, they kicked back with Telarc's recording of Ladysmith Black Mambazo singing "Diamonds in the Soles of Her Shoes." It definitely rocked the lunchroom!
My, My, My Audiona—Whoo!
This is Vegas, so you'll understand that when I say that Jon Iverson and I were simply rolling the dice when we entered Audiona's room at T.H.E. Show, I mean that in a <I>good</I> way. "Want to hear some actively crossovered, four-way loudspeakers?" Brian Quick asked us. Well, yeah, that's what we do.
Viola Gets Small—and Big
Small seems to be the next big thing—the new black, maybe. Viola Audio Labs introduced its 9" W by 4.3" H by 16" D 75W Forte monoblocks ($10,000/pair). Like its big brothers, the Forte has a minimum of internal wiring, which along with its compact dimensions, keeps signal paths short. It has a 1M ohm input impedance, making it easy to drive, and this is said also to improve HF performance and transient response, according to designer Tom Colangelo's colleague Paul Jayson. It uses minimal negative feedback and a choke input filter power supply.
Electric!
Jon Iverson and I walked into Studio Electric's room at T.H.E. Show not knowing what to expect and stopped short. <I>Whoa</I>, this was different.
TAD Too
Technical Audio Devices, better known as TAD, was showing a speaker that looked disturbingly familiar. It was the same size and seemed to feature the same drivers as TAD's Model-1, but it lacked that speaker's silver hood and upper front baffle. That's because Andrew Jones had come to Vegas with TAD's Model-2, which he said would come in between $35,000 and $40,000/pair.
Magnepan Tympani I loudspeaker
The Magnep1anar Tympani I that is the subject of this report is already an obsolete model, having been superseded by the Tympanis IA, II, and III that were unveiled at the CE Show in Chicago this past June. Since many of our readers already own Tympani Is, and dealer stocks of them are being sold at a substantial price reduction, the report should still be of interest. We will publish follow-up reports on the newer models as soon as they become available for testing.
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Sennheiser HD-580 headphones
Drum me out of the High End if you must, but I have a shameful confession to make: <I>I love headphones</I>. I know, I know, I'm supposed to preface my comment with a lofty disclaimer, such as, "Of course, given my refined sensibilities, <I>I</I> could never derive satisfaction from such a compromised listening apparatus, but many of <I>you</I> seem to enjoy them." Well, pardon me for saying so, but <I>pfffftttt!</I>
OSAR Selway & Magruder audio/video racks
There seems to be a fairly common evolution among audiophiles: First, they notice that there is better sound available than they have ever experienced before, so they buy (we hope!) better-sounding equipment—but sooner or later, upgrading becomes terrifically expensive, while the urge to improve the system remains constant. What to do then?