<I>As anyone who reads this website is all too aware, these days legislative matters increasingly encroach upon audiophiles' ability to experience uncompromised high fidelity. Like it or not, political decisions </I>can<I> and </I>do<I> have an impact on what we listen to and how we are able to manipulate our music after we have purchased it.
Wilson Audio Specialties' David Wilson likes to say that you should build a stereo system from the speakers down. Of course he does—he sells speakers. But that doesn't mean he's wrong. So recently, when offered an inexpensive new product for review, I decided it would be a good test of Wilson's theory. I tried driving Wilson's $45,000/pair <A HREF="http://www.stereophile.com/floorloudspeakers/805wilson">MAXX2</A> speakers with Outlaw Audio's RR2150, a $599 stereo receiver.
Lord Acton said, famously, that power corrupts and absolute power corrupts absolutely. If there ever were an amplifier to test that maxim's applicability to audiophiles, it is surely the Chord SPM 14000 Ultimate Monoblock. Priced no less than $75,000/pair, the SPM 14000 is rated to produce power as do very few other amplifiers on the planet: it is very conservatively rated at 1kW into an 8 ohm load, 2kW into 4 ohms, and "will easily exceed" 2800W (give or take a few watts) into 2 ohms.
The debates may be old, but they're not tired. They rage on with a virulence that suggests there's plenty of life in these old dogs yet. Online forums and Letters to the Editor are filled with them: objectivist <I>vs</I> subjectivist, engineer <I>vs</I> audiophile, double-bind <I>vs</I> doubly blind. The divisions may be artificial or downright specious—false dichotomies perfectly set up for cheap shots—but that doesn't dissuade people from drawing sides, driving stakes into the ground, and firing off volley after volley of accusation and retaliation.
<B>VERDI: <I>La Traviata</I></B>
Anna Netrebko, Violetta; Rolando Villazón, Alfredo; Thomas Hampson, Germont; others; Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor, Carlo Rizzi<BR>
Deutsche Grammophon B0005529-02 (2 CDs). 2005. Rainard Maillard, prod.; Jurgen Bulgrin, eng. DDD. TT: 2:04:13<BR>
Performance <B>****</B><BR>
Sonics <B>****</B>
The Minnesota Orchestra has become one of the first symphony orchestras in the US to archive selected broadcasts for online streamed listening on demand. Through an arrangement with Minnesota Public Radio (MPR), which has broadcast virtually every Minnesota Orchestra concert since 1974, the performances are now available for up to a year's time at <A HREF="http://www.mpr.org/minnesotaorchestra">www.mpr.org/minnesotaorchestra</…;.
I know that I can hear differences between... I mean: I know that music sounds different when...
But Mark Ronson's "Just High" video put such a huge grin on my face, I just had to share it.
George Chapline suggests "not as such."
Are Post Office employees stealing your Netflix requests? Mine are too busy reading my April <I>Stereophile</I>. That is why it's late, right?