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Music in the Round #29

For years, I have espoused the use of the same speakers (except subwoofer) in all positions for multichannel music. To have no speaker in the system contributing a different voice to the choir seems as intuitive as having the room acoustics not color the sound. Of course, this still doesn't guarantee perfect timbral match&mdash;positioning and room acoustics usually impose some unique characteristics under all but the most perfect and symmetrical conditions. You can hear tonal imbalances even between the left and right speakers of most <I>two</I>-channel systems simply by switching pink noise between them. On the other hand, there's no reason to superimpose on these unavoidable differences the additional imbalances inevitable with using different speakers in a multichannel array.

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DIG!!!

I still sometimes forget that the year is 2008. It'll take me a few more months to get used to it. No doubt about it, though: 2007 is old news. I can tell by the copyright dates on my new CDs. It's 2008. The birdies are making all sorts of happy racket outside my kitchen window; the high temperatures are creeping up, up, slowly up; Opening Day is less than a week away.

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Showing Up at a Car Show with a Listening Room

Visitors to the 2008 International Auto Show, currently taking place at NYC's Jacob Javits Convention Center, might discover something different at the Bentley display: a high-end audio listening room. Bentley Motors and Naim have teamed up for the <A HREF="http://stereophile.com/news/022108bentley/">"Naim For Bentley"</A> program, which will be offered as a sound package upgrade for all Bentley models by year's end.

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Revel Ultima Studio2 loudspeaker

This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See <A HREF="http://www.stereophile.com/floorloudspeakers/302">my review</A> in the December 2000 <I>Stereophile</I>, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's <A HREF="http://www.stereophile.com/floorloudspeakers/244">Performa F30</A> (May 2000, Vol.23 No.5) and <A HREF="http://www.stereophile.com/floorloudspeakers/706revel">Concerta F12</A> (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.

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Little Beats and Sighs

A long time ago, in a galaxy far, far away, <a href="http://blog.stereophile.com/stephenmejias/092005knowing/">I knew nothing</a> about high end hi-fi. Hard to believe, I know. But true. I didn't even know that the high end existed. My Magnavox boombox worked just fine. As a person grew older and gained the responsibilities and markings of an adult, I knew that his or her speakers and amplifiers grew larger and flashier and more expensive&#151like their houses and cars and debt&#151but I didn't equate those changes with better sound. I didn't even think about better sound.

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