Focal Attains Utopia at Audio Advice Live 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

AUDIO VERITY

If you can find some of the oldest issues of Stereophile, you'll see that several of the covers hold a short, sweet, often humorous "AUDIO VERITY." These nuggets of hi-fi wisdom were written by Stereophile founder, J. Gordon Holt.
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J. Gordon Holt 1930–2009

It is with immense sadness that I heard of Gordon's passing, in an announcement from his long-time friend, Bob O'Neill: "A few minutes after 12 noon mtn time, July 20, 2009, J. Gordon Holt passed away in his home in Boulder, Colorado. A memorial service will be held in a week or two. There will be, of course, martinis and the music of Ralph Vaughan Williams." According to his son Charles, Gordon had suffered a long fight with COPD/Emphysema and he died in his home with his family around him.
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Lost + Found

I've realized why the opening few moments of Tom Abbs & Frequency Response's "Lost" make me want to just stop and cry. I find those moments so painfully beautiful because they remind me of my grandmother (my mother's mother) singing to me when I was a child. At first, I thought it was "You Are My Sunshine," but now I realize that it's "All the Pretty Horses." Listening again, I wish now I had someone to sing it to, someone to play it for.

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Music in the Round #37

HDMI is the invention of the Devil. I grant that the Devil is very smart&#151;he has put on a single cable both hi-rez audio and video, and paid tribute to the gods of industry by incorporating obligatory content protection. However, he has confounded the rest of us by using a connector that, while it relies on friction to maintain physical contact, has so <I>little</I> friction that the cable connector can be easily displaced from or misaligned with the chassis connector. The traditional audiophile predilection for heavy cables is, in this case, actually counterproductive&#151;exerting just a bit of torque on a stiff HDMI cable can be enough to break the connection.

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John Crabbe: Firebrand

Editor's Note: John Crabbe was Editor of Hi-Fi News & Record Review when I joined that magazine as a lowly editorial assistant in September 1976. At the end of 2007, I had asked Steve Harris to interview John for Stereophile, as part of an ongoing project to create an oral history of high-end audio (footnote 1). Sadly, John passed away in December 2008—see "As We See It" and "Industry Update," in our March issue. We are publishing Steve's interview as a tribute to a man from whom I learned my craft as an audio magazine editor.—John Atkinson
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Sennheiser HD800 headphones

Sennheiser's long-awaited (seven years) HD800 sure isn't subtle&#151;at least, not in appearance. The HD800's large earpieces are made from a combination of absorbing composites and functional metal accents, and are <I>huge</I>. Of course, they have to be to house the 56mm ring-radiator transducers&#151;and to mount them so they're firing "back" to your ears from the front. Also not subtle is the price: $1399.95.

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