Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
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Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

Vienna Acoustics Beethoven Baby Grand Symphony Edition loudspeaker

I went to Vienna. It was and is a beautiful city, with much of its late 19th- and early 20th-century character still intact. And while there will always be other claimants to the honor, it's arguably still the classical-music center of the planet. I managed to score standing room for a performance of Puccini's Turandot at the Vienna State Opera (as I recall, standing room at the time was the equivalent of about $1 US). Act 1 was so rough that it evoked catcalls from the unforgiving Viennese audience, but after that, things settled in nicely.
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Sjöfn HiFi (the clue) loudspeaker

I was sitting in my high chair, eating strained peas. My father was walking around the kitchen with a wooden box in one hand and a cord with a plug in the other. The box and the cord were attached to each other. I was inspired to utter my first actual sentence: "Plug it in over there!" Moments later, a man with a disturbing voice began squawking from inside the wooden box. It was a radio. Schnapps, our dachshund, barked angrily. I started to cry. Ever since, I've been charmed, fascinated, and mostly annoyed by wooden boxes that talk to me.
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Wharfedale Jade 3 loudspeaker

The $1500/pair price point for loudspeakers is now very hot. Many manufacturers offer interesting models at or near this price, which gives the most creative designers an opportunity to show off: they can come up with interesting speakers that attempt to deliver a level of performance an order of magnitude beyond their entry-level wares by trickling down technology from their costlier floorstanding models. For the buyer, a $1500/pair speaker is a great way to start building a complete system for $4000–$5000 that can deliver extremely high sound quality for the dollar.
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The Bower’s and Wilkin’s C5 Series 2 in-ear Headphones Sweepstakes

Register to win a set of Bower’s and Wilkin’s C5 Series 2 in-ear Headphones (MSRP $179.99) we are giving away.

According to the company:

"C5 Series 2 in-ear headphones bring you amazingly natural acoustics and fit so snugly you’ll hardly be aware you’re wearing them. These headphones use a new 9.2mm dynamic driver, and have been optimized to deliver bass that’s powerful yet precisely controlled, resulting in a more natural, open and detailed sound."

[This Sweepstakes is now closed.]

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DEQX PreMate D/A processor/digital equalizer

A decade or two ago, I stumbled on a surprising demo room at an audio show. I don't recall most of the equipment, but I do remember a pair of Paradigm Studio 20 speakers at one end, their crossover entrails dangling free, connected to the rest of the system by a multiplicity of wires. At the other end, among the usual electronics, was a PC whose screen was a crazy quilt of graphs and menus that constantly twinkled in response to the ministrations of DEQX's Kim Ryrie. He seemed totally absorbed, but looked up and proudly offered to show me what he was doing. When I told him that I was familiar with the Paradigms, he played some music that sounded just fine. Then he clicked his mouse. The sound was transformed from the familiar to the fabulous. I was dumbfounded. "What have you done?"
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Recording of January 2015: The Basement Tapes Complete

Bob Dylan and the Band: The Bootleg Series Vol.11: The Basement Tapes Complete
Columbia/Legacy 88875016122 (6 CDs). 2014. Garth Hudson, orig. eng., tape restoration; Jeff Rosen, Steve Berkowitz, reissue prods.; Jan Haust, reissue prod., tape restoration; Peter J. Moore, tape restoration, remastering; Mark Wilder, prod., add'l. mastering. A-D? TT: 6:27:56
Music *****
Sonics ***

The Basement Tapes are, as musician and archivist Sid Griffin writes in the liner notes, a kind of Rosetta Stone codifying the interface of myths, folktales, and song stories that inform the restless spirit of Bob Dylan's work. All the ingredients of American folklore, from blues and gospel to country, R&B, and rock'n'roll, went into this home brew distilled in the Catskill Mountains by Dylan and the Band over the course of these sessions.

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Let Freedom Ring

In the 2014 November issue, my good friend Steve Guttenberg ("Communication Breakdown") got his facts mostly right: It's true that most listeners (including myself) accept far more distortion today than we did years ago. Many people have never heard a great stereo system—all they've heard are overdriven boom boxes, cheap stereos, and portable systems, and that's what they expect systems and music to sound like. And distortion is part of the sonic language of such musical genres as hip-hop, rap, and alternative rock.
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Home Alone

We all have secrets, and it's about time I came clean with one of mine: I enjoy recorded music more than concerts.

I know, that's a sacrilege—as a lifelong music lover, I'm supposed to relish the live event, with all of the energy and connection between musicians and audience that can happen only when they're all breathing the same air. That may be true for you, but not for me. I've harbored the guilt for years: When I take the plunge and attend a concert, I rarely enjoy the experience enough to justify the effort and expense.

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