Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
ModWright Does it Right at SouthWest Audio Fest 2026
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

The Online Secret Formula

The latest figures for the music industry remain grim: Online sales of recorded music have dropped 20% through the first half of 2002 compared with the same period last year, losing ground faster than the overall US music market, which lost 7% during the same period, according to the Recording Industry Association of America (RIAA). And the trend is accelerating. The latest numbers show online sales down 25% in the third quarter over last year.

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RIAA Opposes NY Artists' Bill

The <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) has gone on record opposing the <A HREF="http://assembly.state.ny.us/leg/?bn=A11926">Artistic Freedom Act</A>, introduced for consideration by the New York State Assembly on October 28 by Speaker Sheldon Silver. The bill would free artists from long-term contracts&mdash;now sometimes as long as 25 years&mdash;and would give them "free agency" status.

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Bryston 14B-SST power amplifier

Talking to fellow audiophiles, I sometimes hear generalizations about power-amplifier design: "High-power amplifiers don't sound as good as low-power amplifiers." "Tube amps are more musical than solid-state amps." "Class-A circuit designs always sound better than class-AB." "Bridged amplifiers don't image precisely, throw deep soundstages, or have the transparency of non-bridged output stages." Etc.
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DVD-Audio 411

One of the great things about the DVD-Audio format is the sheer flexibility built into the standard: two-channel or multichannel (mixed for four, five, or six speakers), multiple resolutions, multiple encode/decode choices (MLP, Dolby Digital, DTS, PCM), and an assortment of special features, including video.

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