LATEST ADDITIONS

Not long after the single-disc CD player was introduced, the multidisc changer followed, with products from companies like <A HREF="http://www.sony.com">Sony</A&gt; and <A HREF="http://www.pioneerelectronics.com">Pioneer</A&gt;. Shortly after the changer was introduced, it became the most popular version of the new hardware format. In the past eight years, changers have consistently outsold single-disc machines. The high-end market was characteristically slow to embrace changers, but companies like <A HREF="http://www.calaudio.com">California Audio Labs</A> have been successful in this category with products like the CL-10, a five-disc carousel changer.

High-end journal <I>The Abso!ute Sound</I>, long rumored to be circling the drain, has been officially revived. According to a press release dated March 24, <I>TAS</I> will be operated under a new company, Absolute Multimedia, owned by Tom Martin, a vice-president at Dell Computer. Martin has reportedly arranged serious financing for the new venture, which will be based in Austin, Texas.

One of the keys to enjoying the tweak audio hobby is having a good place to learn about the art of sound. A good dealer can also help you make good choices for your personal needs when it's time to buy.

Call it the comeback kid. Only a year ago, electronics retailer Best Buy Company was on the brink of disaster. Reeling from rapid expansion---34 new stores in two years---and suffering from an industry-wide sales slump, the retailer was said to be close to defaulting on some large-scale loans. Customers were being offered no-interest long-term credit as an inducement to buy anything on the sales floor.

I first met <A HREF="http://www.stereophile.com//interviews/274/">Jacques Mahul</A> (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias&mdash;on a collection of many-chassis'd YBA electronics&mdash;got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, <I>melomanes</I>, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)

The performance of deep bass is one of the most perplexing questions we face. Timeless as the search for eternal youth or the meaning of life, the quest for truly satisfying deep bass has engaged generations of philosophers and inventors. Until recently, the subject was primarily one of conjecture, opinion, and hypothesis. Even so, almost no hard science had been devoted to this enduring issue.

A continuation of last week's discussion of low bass. Many audiophiles agree that powerful, well-defined low bass is desirable, but they have many opinions about how to get it.