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As digitally recorded music moves through the recording and production chain, it can be handed off to a variety of studios, musicians, producers, record label executives, and mastering engineers. Sometimes this is done with a recordable CD or DVD, sometimes with a portable hard disk, and sometimes via a high-bandwidth Internet connection. Somewhere along the way, a good percentage of those files (some estimate up to 80%) get copied in an unauthorized manner and quickly end up <A HREF="http://www.stereophile.com/news/11585/">on the Internet or on the street</A> as pirated CDs before any official discs are released.

<A HREF="http://www.bertelsmann.de">Bertelsmann</A&gt; may escape the legal wrath of its music industry peers, thanks to a decision rendered by Germany's top court on July 25. The Federal Constitutional Court in Berlin ruled to block delivery of a $17 billion lawsuit brought by other members of the recording industry over Bertelsmann's financial support of Napster. The block is good for at least six months and could be permanently renewed upon full examination of the lawsuit. Bertelsmann has already filed in US federal court in New York to have the suit dismissed.

Turntables are intrinsically cool. Maybe it's that I am of the pre-CD generation, for which the acquisition of one's first <I>really good</I> turntable marked an audiophile's coming of age. Just as turntable technology has progressed to such awe-inspiring pieces as the <A HREF="http://www.stereophile.com//analogsourcereviews/796/">SME 30/2</A> and <A HREF="http://www.stereophile.com//analogsourcereviews/258/">Rockport Technologies Sirius III</A>, less stratospherically priced 'tables now offer levels of performance that, if not revelatory, show why so many audiophiles (including yours truly) continue to love their LPs with something just short of fanaticism.

Do <I>Stereophile</I> readers listen to AAC and MP3 compressed digital audio? From the email we get, we know some of you do. So, are you listening to encoded files on an iPod or similar portable device (at least some of the time)?

Listening room not up to snuff? Kalman Rubinson fires up the <A HREF="http://www.stereophile.com//accessoryreviews/883/">Rives Audio PARC 3-Band Parametric Equalizer</A> to see whether it can tame a wild acoustic beast. KR reports that at "low frequencies, electronic EQ can be implemented without introducing significant distortion or noise in the midrange, where the ear is most sensitive."

While the Recording Industry Association of America (RIAA) is working overtime to jail file traders, members of the US Congress are introducing <A HREF="http://www.stereophile.com/news/11691/">bill after bill</A> targeting with criminal prosecution the 60 million Americans engaged in Internet file sharing.

One of the most common complaints about multichannel audio has nothing to do with sound quality. It's the lack of multichannel switching on most preamps and receivers that irks most audiophiles.