Is there really a benefit to those pointy feet you have? Jonathan Scull has been surfing the Internet for cone-footer tweaks and theories and reveals his latest haul of hot finds in <A HREF="http://www.stereophile.com//finetunes/319/">Fine Tunes #32</A>.
If you've visited this website before, you'll notice that we're sporting a new look this week. You'll also find that, in addition to the new sheet metal and colors, there are also plenty of changes under the hood. The <I>Stereophile</I> site was originally launched on December 1, 1997. The old model lasted over three years, but three years is an eternity in Internet time, and we couldn't resist taking all of the comments readers have sent in over the months and sorting through them for fresh ideas.
Last week, <A HREF="http://www.philips.com">Philips Electronics</A> and Marantz Japan jointly announced that Marantz Japan intends to buy the Marantz trademark, as well as the European and American sales organizations, from Philips. The companies say that the transaction is due to take effect in the coming months. In addition, Philips says it intends to sell shares equal to 1.5% of all shares held in Marantz Japan, effectively reducing its ownership percentage from 50.5% to 49%.
Forget the Serial Copy Management System, music fans. <A HREF="http://www.macrovision.com/"> Macrovision Corporation</A> is taking CD copy prevention to the next level. The folks who made it impossible to loop your DVD player through your VCR want to make sure you can't copy new music either. On February 27, Sunnyvale, CA-based Macrovision announced that it will begin beta-testing its "Safeaudio Toolkit," a CD-audio copy-protection technology. One major record label has already completed its own testing, according to an official statement. Macrovision announced its <A HREF="http://www.stereophile.com/news/10623/">intention</A> to go forward with the technology late last year.
The word on Bel Canto's upsampling DAC was already out when I visited their room at the 2000 Consumer Electronics Show looking to get one of the first samples. But despite my protestations, all Bel Canto's Mike McCormick wanted to talk about was their company's new digital amp, the eVo 200.2. Sure, there's a future out there in which all sources will be digital and D/A conversion will occur in the speaker (or later?). But today, I see no practical advantage in a digital amplifier with only an analog input. It may be more efficient and it may be new technology, but the amplifier has got to stand on the same footing as any analog design and justify its existence by the way it sounds. The eVo did make a good case for itself at the demo, so I signed up to get one for review.
Keith Herron plopped himself down in my listening chair and smiled, clearly pleased with the sound of my system now that his M150 monoblock power amplifiers had been substituted for my <A HREF="http://www.stereophile.com//amplificationreviews/205/">Musical Fidelity Nu-Vista 300</A>. He began to tell me why.
I've been attending the annual Consumer Electronics Show for years, and usually come away with the impression that there are too many "me-too" products. I see a numbing similarity of approach of manufacturers within a chosen discipline: solid-state power amps in black and silver bristling with heatsinks, single-ended triode amps with their glow reflecting from bronze or wood panels, MCPU/DSP-centered devices with sleek, flat cases and intimidating remote controls, etc.
Reader Bard-Alan Finlan has seen the hype about digital satellite radio from XM and Sirius. He'd like to know what you're really thinking about the new format.
For the first time in five years, New York City will play host to the largest hi-fi and home theater show in the US. Home Entertainment 2001 promises to be the largest and most comprehensive such event to date when it takes place this spring at the Hilton New York & Towers Hotel on May 11-13, 2001.
Guitarist John Fahey died February 22 at Salem Hospital in Salem, OR, two days after undergoing multiple coronary bypass surgery. The enigmatic musician had been suffering from chronic fatigue syndrome and diabetes for years. Fahey was 61.