Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Pay to Play

Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A <A HREF="http://www.loc.gov/copyright/">US Copyright Office</A> panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.

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Consumer Lawsuit Victory

In the record industry's <A HREF="http://www.stereophile.com/news/11261/">ongoing battle</A> against its customers, score one for the consumer. Amid recent industry rumors that Universal Music Group has retreated from its position of adding restrictions to all of its new CDs, a <A HREF="http://www.stereophile.com/news/11134/">lawsuit</A&gt; over a Charley Pride release has been settled in California, paving the way to alert the public to playback restrictions on discs.

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Nakamichi Seeks Protection

One of the most revered names in the audio industry is seeking legal protection from its creditors. On November 19, <A HREF="http://www.nakamichi.com">Nakamichi Corporation Japan</A> "applied to the court of Japan for a civil rehabilitation," in the words of a company press release on the development, issued the next day. On the 19th, Nakamichi stock closed at &#165;22/share (approximately 17&#162;); the Tokyo Stock Exchange announced that the company would be de-listed effective May 20.

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Meridian's Smart Link

Many audiophiles are incensed that the digital outputs on high-resolution disc players are limited to the 16bit/44.1kHz standard of the "Red Book" CD when playing DVD-Audio discs. To read some postings on audiophile newsgroups, you'd think it's a massive conspiracy to prevent people from adding their own processors to the playback chain. Putting as many boxes as possible in an audio system is a constitutionally guaranteed right, isn't it?

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