High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

Music Industry's Legal Ramble

<I>The Monsters are Due on Maple Street:</I> In the 1960 <I>Twilight Zone</I> episode with this title, inexplicable power outages and celestial lights cause the citizens of an idyllic American town to accuse one other of being aliens. Fear feeds suspicion, hysteria turns to mayhem, and soon lynch mobs roam the streets and former friends are burning down each other's homes.

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Against the Dying of the Light, a new CD from Cantus

The combination of accessible world music and transparent sound featured on <A HREF="http://www.stereophile.com//features/465/"><I>Let Your Voice Be Heard</I></A>, the CD released in 2001 by male-voice choir Cantus, made it an audiophile favorite. <I>Stereophile</I> editor John Atkinson returned to Minnesota earlier this year to record Cantus for a second time. This time, however, the program was very different: an ambitious sequence of choral works illustrating a musical and poetic progression from grief and sorrow to consolation and joy, following the tragic events of September 2001.

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Recommended Components

Hard as it is to believe, next year will be the 40th anniversary of <I>Stereophile</I>'s famed "Recommended Components" feature. J. Gordon Holt first set the list to paper when the Beatles were first breaking big in the US, and its April and October appearances have stood as biannual audiophile institutions ever since.

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Content vs Technology

It is shaping up as one of the big battles of the 21st century: content owners (who are not necessarily the artists who create content) versus the consumer electronics industry. On the one hand you have Hollywood with its record companies and the RIAA, and on the other, the manufacturers of products and technologies that facilitate the manipulation and use of digital content.

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