An acquaintance in the world of CD distribution recently gave me an astonishing statistic: that the average classical title sells fewer than 2000 copies worldwide in its first year of release; which in turn means that many titles sell only about 500 copies! Given that the cost of producing a classical orchestral album can include up to $100,000 in union-mandated musician fees, such minimal sales guarantee financial disaster.
Starting on Sunday, June 4, and continuing through Friday, June 10, the British Broadcasting Corporation (BBC) will broadcast all of <A HREF="http://www.bbc.co.uk/radio3/beethovenexperience/pip/archive/">Beethoven… compositions</A> as "The Beethoven Experience."
Magnolia Audio, the upscale west-coast subsidiary of Best Buy, has signed an agreement with ReadyTo Play, a Palo Alto, CA–based digital music company, to offer in-store and point-of-sale promotion of RTP's CD ripping service to Magnolia's customers.
Ruth Laredo, a classical pianist whose style combined passionate ferocity with refined elegance, died May 25 of ovarian cancer, which she had battled for four years. Her last performance was May 6 at the Metropolitan Museum of Art, in one of her long-running performance/lecture sessions known as "Concertos with Commentary," a format that was so popular that she had begun to offer it in other venues around the world.
The Home Entertainment 2005 Show, held April 28–May 1 at the New York Hilton in Manhattan, was a highly charged four-day event filled with live music, education, and the latest in convergence technologies combining the worlds of high-end audio, music, home theater, computing, and gaming.
The X-DAC v3 replaces Musical Fidelity's Tri-Vista 21 DAC, which is no longer in production, although you might find some on dealer's shelves. The Tri-Vista 21 used two pairs of subminiature 5703 WB military tubes in the analog output stage. MF's Antony Michaelson called this Cold War tube, which is no longer made, a <I>trivistor</I>. The Tri-Vista 21 was last seen selling for $2395.
With the price of high-end audio increasingly reaching for the stratosphere, audiophiles appear to becoming much more value-conscious. This trend is reflected in the recent popularity of CD players over separate transports and processors, and particularly in the sudden resurgence in integrated amplifiers. An integrated amplifier makes a lot of sense: the buyer saves the cost of two chassis, two power cords, two owner's manuals, and an extra pair of interconnects. You also get a simpler system.
Ever since I installed dedicated power lines for my multichannel system, I've been wrestling with the issues of surge protection, power conditioning, and voltage regulation. I start with a bias based on decades of happy listening without being concerned about any of these problems, and my belief that competent electronic components must be, and are, designed to perform in the real world. After all, whether the device's AC power supply is a traditional transformer-bridge-reservoir or a switching supply, its output should be a DC source that is sufficient to let the active circuitry meet its specifications. Many manufacturers, such as Bryston, recommend bypassing any line conditioners and plugging their components directly into the AC outlet.