Playback Distribution at SouthWest Audio Fest 2026
Pilot Radio Takes Command at SouthWest Audio Fest 2026
Bandwidth Audio at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!
MSB Technology at High End Vienna 2026
Dutch & Dutch at High End Vienna 2026

LATEST ADDITIONS

Music: The Universal Language

So let get me this straight. Orrin Hatch, Republican senator from Utah, is one of the heavy hitters whose deluge of 11th hour phone calls not only springs music producer Dallas Austin out of a Dubai jail for coke possession, but it also helps to turn a four year jail sentence into a pardon?

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Flowerburger Records Petitions Parliament to Stop P2P Lawsuits

In a gesture that mirrors a <A HREF="http://www.eff.org/share/petition/">petition</A&gt; the Electronic Freedom Foundation (EFF) is presenting to Congress, Flowerburger Records is circulating a <A HREF="http://www.flowerburger.com/">petition</A&gt; requesting that the British Parliament and the BPI, Britain's recording industry trade group, stop the lawsuits against music fans and develop constructive alternatives aimed at compensating artists.

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21st Century Vinyl

A highlight of recent Home Entertainment Shows has been the Sunday afternoon "Analog Clinic" presented by <I>Stereophile</I> senior editor Michael Fremer. Michael, who writes about vinyl playback every month in his "Analog Corner" column, spends an hour showing Show attendees how to set up a turntable and how to optimize the tonearm geometry. To judge by the attendance at Home Entertainment 2006, held last month in Los Angeles, this is a popular subject these days.

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Rogers Studio 3 loudspeaker

Back in the early 1970s, the BBC needed a physically unobtrusive, nearfield monitor loudspeaker for use in outside-broadcast trucks. Accordingly, they instructed their design department, which at that time featured such luminaries as Dudley Harwood (the "father" of the polypropylene cone, who went on to found Harbeth) and the late Spencer Hughes (the "father" of the Bextrene cone, who went on to found Spendor), to produce such a model. Thus, not only was what was then probably the finest collection of British speaker-design talent involved in its development, there were no commercial constraints placed on the design. The only limitations were intended to be those arising from the necessarily small enclosure and the absence of the need for a wide dynamic range under close monitoring conditions.

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