LATEST ADDITIONS

The speed with which audiophiles have adopted a computer of some sort as their primary source of recorded music might be thought breathtaking. But with the ubiquitous Apple iPod painlessly persuading people to get used to the idea of storing their music libraries on computer hard drives, the next logical step was to access those libraries in listening rooms as well as on the move. A few months back, I wrote a basic guide to the various strategies for getting the best sound from a computer: "Music Served: Extracting Music from your PC." Since then, Minnesota manufacturer Bel Canto Design has released a product that aims to simplify matters even further.

Much has happened in the analog world since I <A HREF="http://www.stereophile.com/analogsourcereviews/796">reviewed</A&gt; SME's flagship Model 30/2 turntable for the March 2003 <I>Stereophile</I> (footnote 1). Back then, spending $25,000 on a turntable (without tonearm) was an odd extravagance intended only for those seriously committed to the format, and who already owned large LP collections. Although new LPs were being pressed in growing numbers, the resurgence of vinyl was still spotty, and the long-term prognosis for the old medium remained in question.

For roughly the same amount of money, you can buy a new Toyota Camry or a used mid-sized Mercedes-Benz sedan. The new car has several things going in its favor: no one else has ever driven it, smoked in it, or ferried dogs and kids and fast-food leavings in it, and it comes with a fresh warranty and the latest safety equipment. But the used Mercedes has other things in its favor: having started with a much larger "build budget," it is, simply, more car for the money all around&#151;you just have to pick a good one.

Tribute records are only as good as the person being feted. Their success or failure is also directly linked to how much energy the performers put into the project. Most tributes operate via telephone and UPS, meaning everyone uses the telephone to figure out what song they want to cover, and then UPS (or if you’re really sexy and rich, Fedex) delivers the finished tape. Actually, in some really impersonal cases, the music might be sent via email. Gee, ain’t this `ol digital world great?

<i>Pain: I guess it's a matter of sensation</i>

This was my initial choice of cover motif for our June 2009 issue. We were concerned that these colors, however, would appear too similar to those used for <a href="http://blog.stereophile.com/stephenmejias/now_on_newsstands_stereophile… May issue</a>. One goal in designing a cover is to make it look as different as possible from the cover preceding it. So that buyers don't get confused, or something, I guess. While I understand the point, I must say that the Klipsch Palladium P-39F loudspeaker looks nothing like <a href="http://www.stereophile.com/turntables/sme_model_2012_turntable_312s_ton… SME 20/12 turntable</a>.

Despite the recent affirmation by <I>Stereophile</I>'s Kalman Rubinson that the Super Audio Compact Disc remains "the best available all-around physical medium for music" (May 2009, p.47), audiophiles in the US continue to declare it a dead format. Regardless, independent record producers such as Jared Sacks, founder and managing director of Holland's Channel Classics Records, continue to champion and promote SACD.