LATEST ADDITIONS

The debate over which audio component is most important in determining the quality of a system's sound is one that has been with us for decades. Recently, it came up in a conversation I had during a visit to a Manhattan high-end shop, when I was told about a discussion on the topic by <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> (of Linn) and <A HREF="http://www.stereophile.com/interviews/690wil">David Wilson</A> (of Wilson Audio Specialties). You don't have to be a seasoned audiophile to predict their respective positions, but when I was pressed to take a stand, I paused.

In a way, you could say that Meridian started the now epidemic practice of modifying stock CD players (usually of the Philips-Magnavox species). The original Meridian player, the MCD, was a reworking of the first-generation Philips and was <A HREF="http://www.stereophile.com/cdplayers/285meridian">praised by J. Gordon Holt</A> in these pages in his 1985 review (Vol.8 No.2). The Meridian Pro (Vol.8 No.6) won similar plaudits, and is still to be seen lurking in JA's system. And the original 207 was well-received by MC in Vol.10 No.3.

Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered&#151;before the emergence of California Audio Labs&#151;who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)

Maria Schneider’s Jazz Orchestra plays at Birdland in midtown Manhattan this week, an unusual season and setting (usually they play at the Jazz Standard around Thanksgiving). The occasion is the premiere of a new, commissioned composition, and at Wednesday’s early set, it sounded as lovely as anything she’s written: joyful, melancholic, adventurous, pensive, with a samba swing.

Remember <a href="http://blog.stereophile.com/stephenmejias/the_world_is_crazy/">this rad video</a>?

After a gap of far too many years, Northern California again has a high-end audio show. Sponsored by Constantine Soo's DaGoGo.com, the fledgling <A HREF="http://www.caaudioshow.com/">California Audio Show</A> will take place July 30 &#150;August 1 at the Hilton Garden Inn in Emeryville. That location &#151;next to Interstate 80, just across the bridge from San Francisco, midway between Oakland and Berkeley, and a free (albeit time-sensitive) <A HREF="http://emerygoround.com/schedule.php">shuttle ride</A> from the BART (Bay Area Rapid Transit) MacArthur line&#151;is expected to draw a good cross-section of audiophiles from throughout the Bay Area.

Phiaton, maker of sexy headphones for sexy people, has <a href="http://www.phiaton.com/">a nice new website</a> filled with pictures of attractive young adults, set in clean, chic surroundings, looking very deeply engaged with what they’re doing, whether at work or at play or getting ready for a big date, while wearing Phiaton headphones. Check it out.