Here's another example of how Guy.HF combines hand processes with modern technology. The finish room is state-of-the-art, combining heat with super-sophisticated polymer finish formulations. "Yet," Jean-Paul Guy told me, "there is always <I>some</I> orange peel. Machines can't detect it and they can't correct what they can't sense, so a human being carefully checks each piece and makes it perfect."
The series of shots that follow has nothing to do with audio. I simply like these photos, so I present them hoping you will, too.
Lyon Cathedral. I'm a sucker for shots like this.
Lyon, I was told, has an extensive network of underground tunnels, which helped its citizens hide Jews during the Occupation. As I walked by this wine shop, I snapped a photo of its stairs to underground Lyon.
This dashing zouave graced an antiques store in Bourbon-Lancy. What did it sell? Why, military antiquities, of course. I was tempted by a Hussar's sabre, but I was pretty sure I couldn't carry it on the airplane home with me.
A shop sign in Bourbon-Lancy. A Hallmark moment if ever there was one.
This carved detail from a house in Bourbon-Lancy sort of snuck up on me. I walked past it, got about five steps down the street and did a classic double take.
This carved detail from a house in Bourbon-Lancy reminded me of the <I>marginals</I> Sergio Aragonés drew for <I>Mad</I>.
In <A HREF="http://www.stereophile.com/musicintheround/108mitr">January</A>, I reported on my experiences with the Integra DTC-9.8 preamplifier-processor, which I found to be outstanding with digital sources. That assessment was due, in no small part, to the performance of the Audyssey MultEQ XT room-correction system, which is included in the DTC-9.8. With only a little serious effort, MultEQ opened up the entire soundstage, making possible a better appreciation of the hi-rez sources now available on all sorts of discs. I have no doubt that any careful user can achieve similar satisfaction.
I knew that the VPI 16.5 measured around 15" x 9" x 14" and weighed something close to 30 lbs, but it still struck me as large and heavy. I sliced through the packing tape to find that the machine was carefully and securely set within its carton, held in place by heavy wedges of foam. Once unpacked, it was clear that the VPI was all business and built to last, as though it could withstand great amounts of strenuous work over much time and from place to place. It's a product made to satisfy its owner. With solid, black side panels and an acrylic top, it may be nothing much to look at, but it's surprisingly attractive in its quiet, utilitarian way. Again, the VPI doesn't mess around. No frills, nothing but what is absolutely necessary. I am tempted to customize my VPI, decorate it with punk rock stickers or a pin-up girl or a name tag or something.