KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Pulsar 121
Vivid Audio Introduces Giya Cu Loudspeakers
PSB BP7 Subwoofer Unveiled
Sponsored: Symphonia
Apple AirPods Pro 3: First Impressions
Sponsored: Symphonia Colors
Sonus faber Announces Amati Supreme Speaker

LATEST ADDITIONS

Digital Radio Still Waiting To Take Off

One of the hottest audio technologies at the recent CES, as far as the general public was concerned, wasn't SACD, or DVD-Audio, or even new MP3 players. Seemingly coming out of nowhere, digital satellite radio jumped into the limelight by announcing its impending rollout this year. Two companies are poised to compete for the top spot, lining up car manufacturers and CE companies in a classic format battle that is sure to heat up by summer.

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Added to the Archives This Week

Writer Chip Stern has regarded the form-over-function products from "lifestyle" companies, such as Bose and B&O, for years now with great amusement. But can audiophiles find a product that looks as good as it sounds? Stern calls the <A HREF="http://www.stereophile.com//digitalsourcereviews/307/">Linn Classik CD receiver</A> a "sleek, unobtrusive, uncomplicated design that does double duty as a lifestyle system and&mdash;for those who don't want the hassle of separate components&mdash;a true high-end performer." Too good to be true? Stern expounds.

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Be, Inc.'s HARP: "Reference Platform" for Internet Audio?

At massive gatherings like the Consumer Electronics Show, some truly newsworthy developments by small companies go unnoticed, overshadowed by splashy launches put on by bigger firms. One such is <A HREF="http://www.be.com/">Be, Inc</A>.'s "Home Audio Reference Platform" (BeIA HARP), an all-purpose computer audio system. HARP will let computers access and broadcast Internet-based audio and services, and will also let them play CDs, tapes, and LPs.

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Carla Bley: The Further Adventures of the Lone Arranger

Even though she calls her new band, 4x4, a "small" group, it's a <I>big</I> band&mdash;almost too big for the stage of the Knitting Factory on the night of October 11, 2000, as it makes its first American appearance. Bley's piano is so far to stage left, she has to lean against the wall and stoop under a hanging monitor speaker to address the audience. Four music stands dominate the rest of the apron&mdash;her front line of tenor saxophone, alto saxophone, trumpet, and trombone stand shoulder to shoulder, blocking the audience's view of Larry Goldings and his Hammond B3, drummer Billy Drummond, and bassist Steve Swallow, who stands 15' back and on a riser. If she'd showed up with her 17-piece band, they'd have had to have hung the horn sections from the rafters, like the sound system.

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