Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

WBT’s New Plating Process

Ray Kimber of Kimber Kable was in “You gotta” mode. After he told me that WBT, the 34-year-old German company that supplies connectors and cable terminations to hundreds of manufacturers worldwide, had a new, environmentally friendly facing process that made for better sound, I arranged to meet with WBT founder and CEO Wolfgang Thoerner on Sunday morning to discuss their new "WBT-PlasmaProtect" PVD (Physical Vapor Deposition) plasma process.
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Innuos Zenith Mk3 and Statement music servers and PhoenixUSB reclocker, Boulder 1161 amplifier, Ayre Acoustics QX5 pre/DAC, YG Acoustics Vantage loudspeakers, AudioQuest Niagara 7000 power conditioner and cabling, and SGR Audio Hi-Fi rack

My last exhibit in one of the multi-tower Gaylord Hotel’s 1500 rooms was sponsored by Portuguese music server manufacturer Innuos. I’ve been looking for a music server to review and, with Jim Austin’s approval, hope to tackle the top-of-the-line Statement ($13,750 for 1TB SSD up to $15,150 for 4TB SSD). Released last November, here at the show it reproduced music with impressive transparency, depth, color, and body.
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Vandersteen Kēnto Carbon loudspeaker and M5-HPA amplifiers, VTL TP-6.5 Series II phono stage and TL-6.5 Series II Signature preamplifier, Aurender A30, AMG Viella turntable with Lyra Atlas cartridge, AudioQuest Niagara 7000 power conditioner and cabling

Another speaker debut and another winner. Introducing the Vandersteen Kēnto Carbon ($37,500/pair), which, together with Vandersteen M5-HPA amplifiers ($15,800/pair), VTL electronics, and more sounded open and alive on top on a Mercury Living LP of Dorati’s rendition of Stravinsky’s The Firebird.
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Krell Illusion II preamp and Duo 300 XD amplifier, VPI HW-40 turntable, Audio Technica Art 1000 cartridge, Alta Audio Alec loudspeakers, and ZenSati Zorro cabling

Krell’s immensely energetic Walter Schofield was in the middle of a system description when I entered the room, so I didn't know exactly what I was hearing, but whatever it was, the fact that I’d just submitted my review of the Krell K-300i integrated before boarding a plane for Denver left me very eager to hear it.
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Raidho Acoustics TD2.2 speakers; Moon Evolution 700i V2 amplifier, 780D v2 DAC/streamer, 610LP phonostage; VPI HW-40 Signature turntable, Van Den Hul The Black Crimson cartridge, Nordost Valhalla II cables

In the Gaylord Hotel’s North Tower, where room after room, regardless of its size or layout, seemed conducive to good sound, Raidho Acoustics was making a major impression with the world premiere Raidho TD2.2 2.5-way loudspeakers ($46,000/pair in black).
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Paradigm Persona 7F loudspeaker and Persona SUB, Anthem STR preamplifier and STR power amplifier, Wolf Alpha 35X server, Torus RM20 power conditioner, Clarus Aqua cabling.

Paradigm’s Canadian-designed-and-engineered Persona 7F loudspeakers, which have beryllium diaphragms, anchored a system that received additional grounding from the Paradigm Persona SUB ($6500). The sub’s six 8" woofers are powered by a 1700W “Ultra Class D” amplifier that, aided by DSP and other stuff, descends to a formidable 12Hz.
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Göbel High End Divin Noblesse; CH Precision M 1.1, L1, C1, and P1; Kronos Pro w. Black Beauty tonearm and SCPS power supply; Göbel Lacorde Statement cabling; Nordost QX-4, QKore 1, QB-8, QK1 and QV2

I hadn’t planned to visit the Göbel/CH Precision/Kronos/Bending Wave USA room, having spilled a lot of ink on Göbel and CH products at Munich High End. But, given that I’d heard everything in the room before and was familiar with the excellence of its sound, I wanted to see if it could surmount the sonic difficulties posed by the Gaylord Convention Center's huge rooms.
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