As CES approaches, the e-mails and phone calls pour in. Though the temperature here in New York City remains in the mid-fifties, we're snowed under by invites to dinners, demos, and other assorted press events. We mark our calendars, make reservations, create itineraries. As it continues, I wish that all the talk and preparation would come to a sudden end. I wish we were there already, in Vegas, listening to music.
MLB caskets and urns for the, ahem, die-hard fan.
An audio dictionary.
We <I>need</I> these.
Jessica Duchen says, "Christmas is coming, decisions are being made over whether to splash out on an organic turkey, and Handel's Messiah is being reheated for its annual outings. With its stirring choruses and memorable melodies, it's no wonder that Messiah is still everyone's seasonal favourite, especially when performed in a style allegedly appropriate to the mid-18th century. But just as consumers of supposedly organic food can be misled, so music-lovers, dazzled by displays of "superior" knowledge, often swallow assurances that they're hearing a historically correct performance when they manifestly aren't."
Last week we asked for ultimate evaluation discs, but when you want to <I>show off</I> a system or component, what is your ultimate <I>demo</I> disc?
In the heated debate over new digital technologies and their impact upon the traditional recording distribution system, we've grown used to intemperate dialog, but an organization now charges that "mechanical royalties currently are out of whack with historical and international rates."
Ahmet Ertegun, the Turkish immigrant who founded Atlantic Records in 1947 with Herb Abramson and turned it into one of the most influential labels in the world with his older brother Nesuhi, has died at the age of 83. An Atlantic Records spokesman said his death was the result of a brain injury sustained in a fall backstage at a Rolling Stones concert on October 29.
Talk about going from the ridiculous to the sublime. One day I'm reviewing the $139 <A HREF="http://www.stereophile.com/solidpoweramps/1006sonic">Sonic Impact Super T</A> power amplifier, and the next day Krell Industries delivers their $10,000 Evolution 505 SACD/CD player, $15,000 Evolution 202 preamplifier, and their $30,000/pair Evolution 600 monoblocks.
In any category of product or service, there is a gold standard—one company that epitomizes the best in its field of endeavor. Consider the Rolex watch, the Ferrari sports car, the Steinway piano, the Dunhill pipe. All of these artisanal manufacturers have spent decades, even centuries, earning their names' cachet with their histories of consistent excellence. While high-end audio boasts no names with a 60-year pedigree, such as Ferrari's—much less Steinway & Sons' +150 years—there is one firm whose storied past stretches back to the very emergence of the concept of high-end audio itself: Audio Research Corporation.