LATEST ADDITIONS

We reported in 2005 on the Recording Industry Association of America's (RIAA) <A HREF="http://www.stereophile.com/news/082205riaa/">lawsuit against Patricia Santangelo</A> and her suit in response to the trade group's allegations that she had participated in peer-to-peer file sharing. The record companies dropped their legal actions against Ms. Santangelo in December 2006, instead deciding to charge two of her children, Robert (16) and Michelle (20), with downloading songs from Kazaa.

The Consumer Electronics Association (CEA) has issued a <A HREF="http://www.ce.org/shared_files/edm/2007/PolicyPapers/HomeRecording.pdf"… paper</A> on consumer recording rights, which it expects to be a "key issue in 2007." The CEA's position, in brief: "We urge Congress to refrain from limiting fair use and encourage market-based solutions to home recording and digital rights management issues."

California company Now Hear This (NHT), which has been around since 1986, has always taken a no-nonsense route based on good engineering principles and innovative thinking. Two of their strikingly good ideas were the use of side-firing woofers, and integrating an active subwoofer with a pair of small monitor speakers. Both philosophies culminated in the Xd series of DSP-EQ'd active loudspeakers, which I had the pleasure of <A HREF="http://www.stereophile.com/standloudspeakers/1105nht">reviewing</A&gt; in the November 2005 issue. My first reaction to the concept was "Why hasn't anyone done this before?" The results completely justified an approach that, I believe, points loudspeaker design in a new direction.

This product is a pre-trol. What, you may well ask, is a "pre-trol?" Well, Threshold Corp. calls its FET-10 a preamplifier, but it isn't, really. In fact, it isn't an It at all; it's a Them. Only half of Them is a preamp, and you can buy each half separately. If that sounds a little confusing, maybe it's because some of the old, familiar language of audio is starting to lose its relevance.

Klyne Audio Arts has an almost Zen-like approach to the design of its products. Like the best Japanese designs, Klyne's preamps are aesthetically pleasing in appearance, do exactly what they're supposed to, and their controls are not only where you would expect them to be, but have an almost sensually smooth action. Internal construction, too, is a work of art&mdash;the kind of design which, transferred to a tapestry, would grace the wall of any listening room. You have to see the insides of a Klyne preamp to appreciate how attractive-looking an audio component can be. But physical beauty is only one aspect of Stan Klyne's designs; of all the electronics manufacturers I know of, Klyne Audio Arts also makes products more adjustable than any others, so as to appeal to the needs of what I call compulsive tweaks.

You either loved Molly Ivins&mdash;well, I should probably just stop there. If you loved the written word and valued wit as much as spleen, you just did love Molly. I'll miss her.

It reads like the plot of an Edgar Rice Burroughs novel: 145 Roman soldiers survive the death of their general, Marcus Crassus, and, as mercenaries, fight their way across the ancient world, winding up in China.