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George, by Chestnut Hill Sound

At some point during my time with George ($499), I lost a neighbor. The IT guy who sat in the cubicle immediately outside my office suddenly wasn't around anymore. Weeks later, I learned that the music had been bothering him. It had been too loud, I suppose. Or there had been too much of it. I'm not sure. I started apologizing to people: "Sorry about the music. It's just that I've got this new radio in my office. It's a lot of fun. His name is George."

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Escalante Design Fremont loudspeaker

<I>Room lock</I> occurs when a set of loudspeakers reproduces the deep-bass notes of a pipe organ powerfully enough that the sounds can be felt as pressure waves. On Day 2 of the <A HREF="http://blog.stereophile.com/he2007">2007 Home Entertainment Show</A>, in one of the Sound By Singer rooms, our own <A HREF="http://www.stereophile.com/thefifthelement/">John Marks</A> played his recording of organist James Busby performing Herbert Howells' <I>Master Tallis's Testament</I> through a pair of Fremont loudspeakers from Escalante Design. The sustained bass note at the end of the passage took my breath away&mdash;the stand-mounted Fremonts sounded as open and dynamic as anything else I heard at HE2007. I wondered if they'd sound as good in my home listening room.

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