Hegel H150 Integrated Amplifier Officially Announced

Sonus faber Announces Amati Supreme Speaker

FiiO M27 Headphone DAC Amplifier Released

Audio Advice Acquires The Sound Room

LATEST ADDITIONS

Recording of March 1997: The Great Miles Davis Prestige Recordings

Robert Baird, Wes Phillips Mar 06, 1997

MILES DAVIS QUINTET: The Great Prestige Recordings Includes: The New Miles Davis Quintet, Cookin', Relaxin', Workin', Steamin' Miles Davis, trumpet; John Coltrane, tenor sax; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums. Analogue Productions APJ 035 (5 LPs). 1996. Bob Weinstock, original prod.; Rudy Van Gelder, original eng.; Chad Kassem, reissue prod.; Stan Ricker, mastering eng. AAA. TT: 3:11:09 Music ***** Sonics *****

Solid State Preamp Reviews Headphone Reviews

HeadRoom Max headphone amplifier

Wes Phillips Feb 27, 1997

My name is Wes and I enjoy listening to music on headphones.

Recording of the Month

Recording of February 1997: The Age of Cathedrals

Wes Phillips Feb 20, 1997

THEATER OF VOICES: The Age of Cathedrals Paul Elliott, Alan Bennet; Theater of Voices: Neal Rogers, Mark Daniel, Hugh Davies, Tom Hart, Boyd Jarrell; Paul Hillier, dir. Harmonia Mundi France HMC 907157 (CD only). Robina G. Young, prod.; Craig Silvey, eng. AAD? 1996. TT: 77:18 Performance ****** Sonics *****

As We See It Features Interviews

Stereophile's Writers on an Audio Quest

Stereophile Staff Feb 10, 1997

One Saturday afternoon in August 1990, a number of Stereophile's writers—John Atkinson, Arnis Balgalvis, Robert Deutsch, Larry Greenhill, Robert Harley, J. Gordon Holt, Richard Lehnert, Guy Lemcoe, Lewis Lipnick, Peter Mitchell, Tom Norton, Dick Olsher, Don Scott, and Bill Sommerwerck—gathered together in the magazine's Santa Fe, NM listening room to discuss the "Recommended Components" listing that was due to appear in the October 1990 issue. To add a little Tabasco to the proceedings, JA had invited AudioQuest's main man Bill Low (above) to give a short talk on whatever subject was uppermost in his mind that weekend, to be followed by an open discussion.

Music and Recording Features

Intermezzo: The Santa Barbara Sessions

Thomas J. Norton Feb 04, 1997

The justification of art is the internal combustion it ignites in the hearts of men.—Glenn Gould

As We See It Historical J. Gordon Holt Think Pieces

Why Hi-Fi Experts Disagree

J. Gordon Holt Feb 04, 1997

Dateline: late August 1989. The scene: my palatial office in the Stereophile Tower. Present were the magazine's official technowizard Robert Harley, Circulation Kahuna Michael Harvey, and myself. The subject under discussion was the program for the Stereophile Test CD, launched in this issue, and Bob had been dazzling Michael and myself with a description of the sophisticated signal-processing power offered by the Digidesign Sound Tools music editing system with which he had outfitted his Macintosh IIX computer. (He had to fit it with a 600-megabyte hard-disk drive!) "It'll even do edits as crossfades as well as butt joins," enthused Bob. "Let me tell you about the crossfade I once did when editing a drum solo for a CD master that lasted ten seconds..."

Records To Die For

1997 Records To Die For

Stereophile Staff Feb 03, 1997

When I first heard about "Records To Die For," I had to laugh. "Desert Island Discs," maybe, but Records To Die For? Laying down your life for a record? World-class hyperbole. Throw yourself on a sword for a glob of petrochemicals? Not me. If your house was burning down, would you a) grab your child, b) grab your photos and other irreplaceable items (cats, loved ones, etc.), or c) grab your records?

Floor Loudspeaker Reviews

PBN Montana SP loudspeaker

Barry Willis Jan 31, 1997

Astute readers will note that although my name appears under the "hardware" heading of Stereophile's masthead, I have rarely written about specific products, and, apart from secondary comments or Follow-Ups, have never written a formal equipment report. For years I resisted reviewing because I was usually connected in some way to audio manufacturers and/or retailers, and felt very uncomfortable with the conflict of interest. The other reason I was disinclined to review is that the critical listening required of reviewers is work, and after a long day or week of working on, or with, audio equipment, the only thing I wanted to do when I came home was relax. But since I have hung up my soldering iron and oscilloscope probe for what I hope is the last time, and am cleaving instead to my word processor (or, as playwright David Ives dubbed it, my "verboblender"), you may see more of this—WP, JA, and God willing.

Recording of the Month

Recording of January 1997: Bug Music

Robert Baird Jan 25, 1997

DON BYRON: Bug Music Don Byron, clarinet, baritone saxophone, vocals; Steve Wilson, alto saxophone; Robert DeBellis, tenor saxophone; Charles Lewis, Steve Bernstein, James Zollar, Trumpet; Craig Harris, trombone; Uri Crane, piano; Paul Meyers, banjo; David Gilmore, guitar; Kenny Davis, bass; Pheeroan akLaff, Billy Hart, Joey Baron, drums; Dean Bowman, vocals. Nonesuch 79438-2 (CD only) 1996. Don Byron, prod.; Danny Kapilian, assoc. prod.; Tom Lazarus, eng.; David Merrill, assist eng.; Alan Tucker, mastering eng. Carol Yaple, exec. prod. ??? TT: 51:07 Music **** Sonics ****

CD Player/Transport Reviews Digital Processor Reviews

Mark Levinson No.37 CD transport & No.36S D/A converter

Thomas J. Norton Jan 25, 1997

We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium. CD replay performance may, in fact, now be bumping up against a glass ceiling. But that doesn't discourage high-end audio manufacturers from trying to advance the art, and tempt audiophiles (at least those among us who are not hopeless digiphobes) out of our minds.