<B>MAHLER: Symphony 6</B><BR> Manhattan School of Music Symphony Orchestra, Glen Cortese (cond.)<BR>Titanic 257 (CD). 2000. Charles G. Thomas, exec. prod., Jerry Bruck, eng., Michael Karas and Eric Wagner, assoc. engs. AAD? TT: 76:27<BR> Performance: <B>****?</B><BR> Sonics: <B>*****</B>
The public auction of the assets of <A HREF="http://www.wadia.com/">Wadia Digital Corporation</A> has been postponed for at least two weeks, according to an employee of the Minneapolis law firm Siegel, Brill, Greupner, Duffy & Foster, P.A., which is handling the liquidation.
Reader "Bob" says that he'd be very happy to pay for access to a complete Web-based version of <I>Stereophile</I>, and suspects other readers would too. Do you agree that this is a good idea?
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The <A HREF="http://www.stereophile.com//digitalsourcereviews/259/">dCS Elgar D/A processor</A> was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.
E<I>ditor's Note: There is a large contingent of </I>Stereophile<I> readers who design and build their own equipment—the DIY (do it yourself) crowd. Hervé Delétraz from Switzerland has been e-mailing us photos and stories over the last year about his own ambitious DIY amplifier design, so we asked him if he'd be willing to share a chronicle of his progress, starting from the beginning. This is the first in a six-part series written by Mr. Delétraz.</I>
Late August news bites: <A HREF="http://www.ti.com/">Texas Instruments</A> announced August 25 the completion of its acquisition of chipmaker <A HREF="http://www.burr-brown.com/">Burr-Brown Corporation</A> in a stock swap. Burr-Brown is highly regarded in the audio industry for its low-noise, high-speed digital/analog converters and digital signal-processing (DSP) ICs. The company also makes ultra-high-quality analog components, a segment of the semiconductor industry expected to grow by 25% in the coming year, according to industry analyst Dataquest.
Last week, <A HREF="http://www.bmgentertainment.com/">BMG Entertainment</A>, the music and entertainment division of <A HREF="http://www.bertelsmann.de/">Bertelsmann AG</A>, revealed that it will join several other major labels (see previous stories <A HREF="http://www.stereophile.com/news/10798/">EMI</A> and <A HREF="http://www.stereophile.com/news/10814/">Universal</A>) by bringing its own digital downloads to the Internet this September. The company says that it will start with approximately 50 songs and 50 complete albums, to be made available via several retail Web outlets at prices ranging from $1.98 to $3.49 per song and from $9.98 to $16.98 per album.
One of the most enduring advertisments for an audio product is Maxell's image of the seated listener with his hair blowing back in the wind created by the tape's alleged sound quality. Have any other marketing campaigns stuck with you?
The <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A> (SDMI) will soon move into Phase II of its evaluation of digital audio watermarking, following listening tests conducted in early July at Sony's Whitfield Street Studios in London and administered by Sony VP of engineering Malcolm Davidson. A soon-to-be-published report from Paul Jessop of the <A HREF="http://www.ifpi.org/">International Federation of Phonograph Industries</A> reveals that the participants in the tests—almost all of them audio-industry professionals or journalists—averaged just slightly better than 50% in their abilities to detect the watermarks.
In an effort to move their businesses into cyberspace, record labels and audio content distributors are still experimenting with their online formulas. Key to the new economic models for selling music over the Net is this question: Would you rather pay a monthly subscription fee to download music, or pay for music track by track? According to market researcher <A HREF="http://gartner11.gartnerweb.com/public/static/home/home.html">Gartner Group</A>, sites that plan to sell music via the subscription model should seriously reconsider.