How well has DVD-Audio been promoted? What do you suggest?
DVD-Audio appears to be having a tough time gaining traction in the market, audiophile or otherwise. Any suggestions for getting its motor started? (We'll pick on SACD next week).
DVD-Audio appears to be having a tough time gaining traction in the market, audiophile or otherwise. Any suggestions for getting its motor started? (We'll pick on SACD next week).
It's been, as Bette Davis might say, a bumpy ride, but Genesis says it is back as a designer and manufacturer of high-end loudspeakers. Formed in 1991, Genesis was originally partnered by Canadian loudspeaker conglomerate Audio Products International (Mirage, Energy, Sound Dynamics), until famed designers Arnie Nudell and Paul McGowan bought API out in 1994.
In apparent response to proposed federal legislation that would permit copyright holders to launch technological strikes against privately-owned computers, hackers launched an attack of their own over the weekend of July 27–28, rendering the website of the <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) unusable.
Late July was a volatile period for the music industry. On the 29th, Bertelsmann CEO Thomas Middelhoff announced his resignation. The "young lion" who ushered the German media conglomerate into the Internet age—and into an ill-advised $100 million investment in now-forgotten Napster—apparently had a very different vision for the future of the company than does the Mohn family, which controls 75% of Bertelsmann stock. "Shareholders had mid- and long-term development prospects that were different from mine," Middelhoff told reporters. "In this context, I had no choice but to resign." Bertelsmann is parent company of BMG, the music giant.
Chip Stern heads this week's list with an evaluation of the <A HREF="http://www.stereophile.com//amplificationreviews/633/">NAD C370 integrated amplifier</A> from the January 2002 issue. With the units priced to sell, at $699, CS wants to know if the C370 can satisfy audiophiles as well as budget-conscious shoppers.
Choice is generally considered a plus, but as many of our readers note, when it comes to audio, a format war is the last thing consumers need. While the DVD-A/SACD conflict takes the center audio stage, other technology battles are being fought off in the wings, including the satellite radio format tussle 'twixt XM and Sirius.
It's been over a year since we last asked this one, so we're very interested in what trends might have emerged. DVD-Audio and SACD have seen new titles and machines hit the market, but we're wondering how many of you are buying in.
Like most of the record business, classical music is having a tough time finding a new audience in the digital download world. And in line with the <A HREF="http://www.stereophile.com/news/11391/">recent moves</A> by record labels to market popular music online, classical music fans in the UK will soon have another bona fide incentive for locating and legally purchasing works via the Internet.
The war over digital copyright protection intensified in late July, when the <A HREF="http://www.aclu.org">American Civil Liberties Union</A> launched a legal attack against the Digital Millennium Copyright Act. Almost simultaneously, a congressman from Southern California introduced a bill that would give copyright holders the right to hack computers owned by suspected copyright violators.
Once again, audiophiles can help themselves and others at the same time by participating in The Cable Company's seventh annual "Summer Against Hunger" campaign. <A HREF="http://www.fatwyre.com">The Cable Company</A>, and several suppliers (listed below) have set up a program by which up to 10% of the Cable Company's August sales are donated to <A HREF="http://www.care.org">CARE</A> and the <A HREF="http://www.intrescom.org">International Rescue Committee</A>, with contributions to be used to assist the worldwide disaster relief efforts of those humanitarian organizations.