The <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) has gone on record opposing the <A HREF="http://assembly.state.ny.us/leg/?bn=A11926">Artistic Freedom Act</A>, introduced for consideration by the New York State Assembly on October 28 by Speaker Sheldon Silver. The bill would free artists from long-term contracts—now sometimes as long as 25 years—and would give them "free agency" status.
Aristotle, what a guy.
Last week we picked on tone controls, so this week, we'll put the spotlight on the balance knob. Do you use it in your system? Is it at any setting other than dead center?
One of the great things about the DVD-Audio format is the sheer flexibility built into the standard: two-channel or multichannel (mixed for four, five, or six speakers), multiple resolutions, multiple encode/decode choices (MLP, Dolby Digital, DTS, PCM), and an assortment of special features, including video.
Tom Dowd, a recording engineer and producer who created some of the greatest pop, jazz, and rock recordings of the 1950s, '60s, and '70s, and who ushered in the era of multi-track tape recording and stereo playback, died Sunday, October 27 of emphysema at an assisted living center in Aventura, Florida, near Miami. He was 77.
One would think the last thing the music industry needs right now is to further alienate its customers who are still buying discs. But that is just what the record labels are doing by secretly experimenting with technology that restricts how discs are used, says a new report.
The first half of the fiscal year has been generally kind to many Japanese electronics manufacturers, most of whom released financial reports at the end of October.
Brian Damkroger has a wonderful moment or two as he auditions the <A HREF="http://www.stereophile.com//amplificationreviews/697/">VAC Renaissance Signature Mk.II preamplifier</A>. As BD explains, the right musical situation can trigger those long-lost memories . . . .
We all know that women generally have better hearing than men and enjoy music at least as much as men do, but women are conspicuously absent from every segment of the high-end audio scene. The vast majority of high-end companies are owned by men, and any head count of female designers, retailers, reviewers, or consumers will yield a pitifully small number. High-end audio is a man's, man's, man's world.