In October 2000, during Napster's prolonged courtroom agony, <A HREF="http://www.bertelsmann.de">Bertelsmann AG</A> alienated fellow music industry plaintiffs by investing $50 million in a strategic partnership with the file-sharing upstart. At the time, Bertelsmann hoped to leverage Napster's technical expertise and fame to give Bertelsmann Music Group the inside track with Internet music distribution.
HTPCs are hot among home theater cognoscenti. Using a personal computer to anchor an audio/video system has boomed in recent years due to the availability of high quality video processing software, Dolby Digital and DTS decoding support, and DVD transports. HTPCs (<A HREF="http://www.guidetohometheater.com/news/11166/">home theater personal computers</A>) also thrive in part because of the tinkering gene shared by many enthusiasts.
Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking. One can choose from standard "Red Book" CDs (16-bit/44.1kHz), DVD-As, DADs (24/96 DVD-Vs), SACDs, combination audio-video players and changers, upsamplers, oversamplers, and every possible agglomeration of the above. As the audiophile-grade universal player remains vaporware, if you want to keep moving forward you have to choose among the various format combinations. Ayre Acoustics' Charles Hansen made his decision back in 1998—DVD-Video—and has spent the last four years refining the end result, now known as the D-1x.
Despite its name, the Panache is not made in France, but here in the States, by Portal Audio, headquartered in Charlotte, North Carolina. The company is owned and run by Joe Abrams, a longtime veteran of high-end hi-fi who was once closely associated with Threshold.
Some people believe that high-end audio is mostly fluff whose cost, compared to standard professional studio electronics, is not justifiable. Moreover, they argue, if the music has been piped through any number of studio devices before it gets to your home, you can't expect to get more out of it than the studio devices will pass. Just as the argument is made about the final 6' of power cord, how can one Over-The-Top device make up for the foibles of those that precede it?
We like to think that high-end audio is different because we take the time to audition how musical a piece of equipment is. But, in reality, we don't often first listen to everything we buy. Have you ever purchased a component before listening to it?
Memorial Day is the traditional beginning of summer. This year, it will mark a new chapter for <A HREF="http://www.klipsch.com">Klipsch Audio Technologies</A>.
<A HREF="http://www.thewiz.com/wiz/app/CeMain">The Wiz</A> may not be long for this world. On Monday, February 10, <A HREF="http://www.cablevision.com">Cablevision Systems Corporation</A> announced that it would sell or close its remaining 17 consumer electronics stores, all in the New York metro area, New Jersey, and Connecticut. The announcement came only a few days after Circuit City announced major <A HREF="http://www.stereophile.com/news/11569/">cutbacks</A> of its workforce and the elimination of sales commissions.
Michael Fremer investigates the <A HREF="http://www.stereophile.com//amplificationreviews/774/">Parasound Halo JC 1 monoblock power amplifier</A>, exclaiming, "The 5-to-1 ratio of cost to retail price suggests that the "raw" cost of the JC 1 is about $600—a number almost impossible to believe, given the superb build quality and sheer heft of this powerhouse monoblock." And then there is the sound.
The quest to secretly track music fans continues: <A HREF="http://www.philips.com">Royal Philips Electronics</A> and <A HREF="http://www.digimarc.com">Digimarc</A> announced last week that they have signed a new agreement that extends the licensing of Digimarc's digital watermarking patents to include audio applications as well as a broader range of video applications.