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Sidney Smith, revered audio engineer and a founding father of the modern audio industry, passed away on October 25, 2000 after a battle with cancer. He was 77. Sid, a family man, left a loving wife, Marilyn, three caring daughters, Jennie, Pattie, and Laura, and two grandchildren.

Is community radio at death's door? More than 1000 churches, schools and community organizations nationwide have applied for licenses to operate 10W-100W FM stations. Despite a strong grass-roots movement, and the support of <A HREF="http://www.fcc.gov/">Federal Communications Commission</A> chairman William Kennard, the low-power radio (LPFM) movement is about to be buried by the combined weight of the <A HREF="http://www.nab.org/">National Association of Broadcasters</A>, <A HREF="http://www.npr.org/">National Public Radio</A>, and their many friends in the US Congress.

Attention, high-end audio manufacturers ready to crack the exporting nut: The <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA) has just released its "General Guide for the Export of Consumer Electronics," providing a step-by-step process which the CEA says manufacturers can use to navigate the often uncharted and challenging regulatory waters of the export market. According to the CEA, the guide focuses on assisting manufacturers in exporting their products to the South American and Pacific Rim countries of Argentina, Brazil, Chile, Hong Kong, Japan, Singapore, South Korea and Taiwan. The organization reports that, in a survey of its membership, these countries were identified as primary growth markets of interest.

Back in 1992, Robert Harley's <I>Stereophile</I> review of the <A HREF="http://www.stereophile.com//amplificationreviews/520/">McCormack DNA-1</A> and Parasound HCA-2200 amplifiers (April 1992, Vol.15 No.4) and the accompanying technical measurements piqued my interest. So, with great curiosity, I arranged to borrow a DNA-1 to audition, along with competitive amps from Aragon, Bryston, and PS Audio. They were all a leap ahead of my Adcom GFA-555, but it took an act of great courage to accept that, despite its less-than-stellar measured performance, the DNA-1 was my favorite. The bottom line was that the DNA-1 excelled at driving my Apogee Duettas to make lively and harmonically pure sounds. I bought my McCormack DNA-1 amplifier before I began reviewing equipment for <I>Stereophile</I>, and it still occupies an honored place in my system.

The battle rages on in the audio shops, the pages of <I>Stereophile</I>, and in the online news groups: Subjectivist (relies on direct experience to judge audio quality) versus Objectivist (relies on experimental evidence to judge differences and quality). What are your tendencies?

It's a brave new audio world: Coinciding with last week's release of Medeski, Martin & Wood's latest work, <I>The Dropper</I>, to retailers' shelves as a polycarbonate-and-aluminum CD, <A HREF="http://www.liquidaudio.com">Liquid Audio</A> announced that the title was simultaneously being made available as a full-album digital download. Liquid reports that this is the first time a <A HREF="http://www.bluenote.com">Blue Note</A> title has been released in a digital format at the same time as its physical release.

Five years after opening a research office in Moscow, <A HREF="http://www.bmg.de/">BMG Entertainment</A> has launched an affiliate called BMG Russia OOO, which will work from the capital. The intent is to develop the Russian market for BMG products, discover and sign new musical talent&mdash;and combat piracy.