Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

You Should Be Dancin', Yeah

"A linkworthy piece of musical-cultural criticism," writes John Marks. I agree. Now if John Derbyshire had merely said <I>Saturday Night Fever</I> was the greatest movie ever, I'd have agreed to disagree. His passionate and specific arguments, however, have convinced me to see it again with an open mind.

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Be My Baby

Is it me or does Phil Spector, the Wall&ndash;of&ndash;Sound inventor turned murder suspect, look more and more like a middle aged woman, particularly with his new blonde doo. If I were his lawyer I might have asked that he not change his hairstyle from notoriously weird to super weird on the eve of the trial. The photos, CNN.com has some doozies, that are really, really strange. Him with that Doris Day gone mad hair waving a pistol around demanding God knows what? Whatever the verdict, the man needs supervision.

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The Most Important Thing

In an article titled, "This Boot Was Made for Jazzin'," found in our April 2007 issue, Thomas Conrad tells us that today's most important European jazz musicians are coming from Italy. It was in that article that I was introduced to the young wonders, saxophonist Francesco Cafiso (18), and pianists, Giovanni Guidi (22) and Alessandro Lanzoni (15). These young men live within a musical landscape nurtured by guys like Gianni Basso (75) and Renato Sellani (81), who, according to Conrad, are "sounding better than ever." I'm not quite sure why, but it thrills me to know that such language, art, and life are being shared between people separated by so many years. Perhaps I see it as some evidence that time is only time. And what does that mean to me? Again, I don't know.

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Language Wars

<A HREF="http://www.newyorker.com/reporting/2007/04/16/070416fa_fact_colapinto">… Interpreter"</A> in <I>The New Yorker</I>, about Dan Everett's work on the Pirah, has generated a lot of discussion on the Interwebs. The MIT linguists, who subscribe to the Chomskyan <A HREF="http://en.wikipedia.org/wiki/Universal_grammar">universal grammar theory</A>, fired <A HREF="http://www.physorg.com/news96558379.html">back</A&gt;. Now, Vera da Silva Sinha and Chris Sinha, two anthropologists who have done fieldwork with another Amazonian community and who have visited the Pirah, chime in.

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