Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Pitchfork Gives Music a 6.8

"'Music's first offering, an eclectic, disparate, but mostly functional compendium of influences from 5000 B.C. to present day, hints that this trend's time may not only have fully arrived, but is already on the wane,' [editor in chief Ryan] Schreiber wrote. 'If music has any chance of keeping our interest, it's going to have to move beyond the same palatable but predictable notes, meters, melodies, tonalities, atonalities, timbres, and harmonies.'"

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Front and Center

Magnepan's Wendell Diller promised to demonstrate "an intriguing solution to the center channel," which was nebulous enough. Imagine my surprise when he demoed his new solution with a stereo! A three channel stereo, true, but a stereo nonetheless.

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Edge/Montana

Don't get me wrong, I heard some very good two-channel sound at CEDIA—Thiel and Wisdom Audio leap to mind—but arriving at the Edge Electronics/PBN Montana room at T.H.E. Show was a breath of fresh air. Why? The Denver Convention Center is a noisy place and even the "rooms" are merely shells set up within that vast space. The Denver Athletic Club is both solidly built and quiet.

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Edgar, a Poet to a T

I grew up in Charlottesville, VA, where E.A. Poe briefly attended college without matriculating. I used to visit Poe's bedchamber, which has been preserved as a memorial,and gawp at artifacts that almost certainly had no connection to him. Somehow I had the impression that we Charlottesvillians appreciated his gothic world view more than other folks.

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Krell KSA-200S power amplifier

There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.

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Krell KSA-50 power amplifier

Some readers may feel that it is pushing poetic license beyond reasonable limits to call the Krell KSA-50 a "new-wave" amplifier. It has, after all, been around for several years. The Krell KSA-50 is new-wave enough, however, to be an incredibly stiff class-A design, rather than a pseudo–class-A circuit, and its 50 watts per channel are supported by enough of a power supply to drive an arc welder. You get about 70 watts of RMS power with 8 ohms, 150 watts with 4 ohms, and sufficient watts into 2 ohms to threaten my load resistors. There is almost enough power to drive a pair of Apogee Scintillas at their ohm setting—though I'd prefer at least the Krell KSA-100.
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