Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Mmmm, Chocolate!

"Pools and pools and pools of chocolate—fifty-thousand-pound, ninety-thousand-pound, Olympic-length pools of chocolate—in the conching rooms in the chocolate factory in Hershey, Pennsylvania. Big, aromatic rooms. Chocolate, far as the eye can see. Viscous, undulating, lukewarm chocolate, viscidized, undulated by the slurping friction of granite rollers rolling through the chocolate over crenellated granite beds at the bottoms of the pools. The chocolate moves. It stands up in brown creamy dunes. Chocolate eddies. Chocolate currents. Gulfs of chocolate. Chocolate deeps. Mares’ tails on the deeps. The world record for the fifty-yard free-style would be two hours and ten minutes."

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Satisfaction

I was happily reading Sasha Frere-Jones' <A HREF="http://www.newyorker.com/online/blogs/sashafrerejones">blog</A&gt; about CMJ, when he dropped this linkbomb on me, asking, "If you do not think there is any drumming in this cover of 'Satisfaction,' watch Bj&#246;rk’s hips. Also, a question for physicists, audio engineers, and clerics: how can Bj&#246;rk sing so loudly and not drown out Polly Jean Harvey, even though Harvey never raises her voice particularly high? And a question for music lovers everywhere: why has this song inspired so many good covers?"

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