Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Affectionately Melanie

I also picked this one up at Boomerangs. At the time, I knew nothing about Melanie Safka. Looking at the front cover, I must have immediately thought, <i>hmm… psychedelic hippie music</i>, or something like that. I also noticed that it was released by Buddah Records who I <i>was</i> familiar with for their work with Captain Beefheart and Rodriguez. Turning to the back, I was intrigued by Melanie's liner notes, which pretty much told me that this chick is crazy.

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Stop! I'm Free Again

There's a strange similarity between La Lupe and Melanie. They are both clearly passionate, to say the least. I've read that La Lupe's live shows had that certain danger to them that only the greatest rock performances can manage. On stage, her hands went wild like pigeons exploding into the summer sky: Lupe would poke at her face, tug at her clothes, and throw her shoes into the crowd.

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Elvis

I purchased this album, simply titled <i>Elvis</i>, at the ARChive of Contemporary Music's winter record fair. This album immediately followed his RCA Victor debut, <i>Elvis Presley</i>. Both were released in 1957 and both went gold. By the end of the year, I suppose he was so successful that a single name was enough. My copy is a 50th anniversary reissue special.

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Ariel Bitran at the Sidewalk Cafe

John Atkinson snapped this shot of our hardworking intern, <a href="http://www.myspace.com/arielbitran">Ariel Bitran</a>, during last night's performance at the <a href="http://www.sidewalkmusic.net/">Sidewalk Caf</a>. It's not that this photo was taken on John's phone under poor lighting conditions; Ariel actually <i>looks like this</i> when he plays. The dude is on fire, lit from within like a good single-ended amplifier.

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