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		An otherwise quiet afternoon is given an asterisk, a big fat exclamation point, by our sale of <a href="http://ssl.blueearth.net/primedia/product.php?productid=53&cat=0&page=1… BACK ISSUE AVAILABLE</a>.
Via the <I>OC Register</I>'s Tim Magnan. File this under "too much information." Also, keep out of the front rows.
At 200,000 tracks, maybe so—but it only occupies 800GB, so he's using compression. My meager 12,000 track library eats a little over 200GB, using ALC.
Is that even possible?
<I>The Smithsonian</I> has a nifty slideshow on Harry Houdini. It's mostly posters, but the action shots are worth checking out.
I discovered Erik Satie while in college. The music seemed perfectly fit for such strange and brightly-colored cartoon mornings, rainy afternoons, very sad and lonely drunken nights. Perfectly fit for a dude who felt out of time with himself, a mishmash of incomplete angles and ideas, a dance party, a moonlit walk along a muddy trail, a stranger, a desperate fuck.
Tone and intonation are key—as in any fretless instrument.
Is there a unified field theory for biology?
<I>The Space Review</I> has published an interesting look at Heinlein's collaborations with filmmakers. You've got to love an article that contains lines like this: "To the extent that such an awful piece of filmmaking can actually have a message, <I>Rocketship X-M</I> has a shallow and not terribly original message that nuclear war is bad for children and other living things. The universe is hostile, God hates us, and we’re all doomed. Have a nice day."
Rowan Atkinson demonstrates what happened to the hi-fi industry.