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Stereophile Staff Posted: Jan 05, 2004 0 comments
As Paul Messenger states in his 2000 review of the Linn Arkiv B phono cartridge, "This Stereophile review is long overdue. Furthermore, this review addresses a complaint often directed against reviews and reviewers: that we rarely spend enough time with a component to gain a properly balanced, long-term perspective."
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Stereophile Staff Posted: Apr 01, 2001 0 comments
As Robert J. Reina writes, "I have a passion for great speaker designs at affordable prices, and with modern driver, crossover, and cabinet technologies making innovative strides, many serious high-end speaker designers are turning their attention to coming up with the next great budget speaker." At $649/pair, is the PSB Image 4T loudspeaker it? Reina divulges the results of his aural examination.
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Stereophile Staff Posted: Feb 27, 2000 0 comments
How many of you out there know what a Nuvistor is? Michael Fremer takes a look at this unique device and its application in the Musical Fidelity Nu-Vista 300 power amplifier. "Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise—all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s." Musical Fidelity decided to use the Nuvistor in a limited-run amplifier, and therein lies an interesting tale, which Michael skillfully uncovers.
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Stereophile Staff Posted: Apr 28, 2002 0 comments
Jonathan Scull says he likes "stories with happy endings." Will his time spent with the Conrad-Johnson Premier 16LS preamplifier leave a smile on his face or a frown? J-10 comments, "As always, after a period of time, I began tweaking until I got the sound just so, then whipped out the laptop and . . . " filed this report.
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Stereophile Staff Posted: Feb 16, 2004 0 comments
This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the B&W 705 loudspeaker, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."
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Stereophile Staff Posted: Mar 09, 2003 0 comments
Dick Olsher and various other writers take a spin with the Apogee Stage loudspeaker, whose "resemblance to the rest of the Apogee family is unmistakable" in spite of its small size. But the real story is that, "surprisingly, the sound quality does not take a back seat to its more expensive relatives."
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Stereophile Staff Posted: Dec 29, 2003 0 comments
J. Gordon Holt and various other Stereophile writers are brought together to create the definitive review archive of the Audio Research SP9 preamplifier. The SP9 review was controversial in its day, and the complete review archives include manufacturer and reader comments.
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Stereophile Staff Posted: Jun 03, 2001 0 comments
As John Atkinson points out in his "As We See It" from last month, Trumpets to the Back of Me?, there appears to be a long, hard road ahead for audiophiles as record labels struggle to make something out of the multi-channel future. As JA puts it, "The last thing I want is to have trumpets and drums attacking me from behind, yet almost without exception, that is what record producers seem to feel is an essential part of the DVD-Audio and SACD experiences."
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Stereophile Staff Posted: Dec 29, 2003 0 comments
Incorporating the company's new "black box" crossover design, the Acarian Alón Li'l Rascal Mk.II loudspeaker captured Robert J. Reina's attention. "I fired up the Li'l Rascals, wondering if I'd catch a glimpse of the dynamic performance I'd heard from the Exotica Grand References at HE2001," explains BJR.
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Stereophile Staff Posted: Jul 13, 2003 0 comments
Brian Damkroger ponders the Classé Omega monoblock power amplifier. "The Classé Omega is expensive, costing $25,000/pair," notes BD. But he also finds the amp a "drop-dead-gorgeous, massive, industrial-art chunk of aluminum and steel set off with a subtle mix of curves, contours, finishes, and textures." And then there is that Classé sound.

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