LATEST ADDITIONS

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Stereophile Staff Posted: Dec 17, 2014 0 comments
We kick off the New Year with the "Loudspeaker issue"— there are seven models reviewed at all price levels, from Vienna Acoustics, Sjöfn, Monitor Audio, Wharfedale, DeVore Fidelity, Revel, and KEF, a review of an affordable subwoofer from SVS, and an interview with veteran speaker designer Michael Kelly of Aerial Acoustics.
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Art Dudley Posted: Dec 16, 2014 3 comments
No one spells it out anymore: Ours is a culture of BTW, TIA, AFAIK, and other letter-lumps, some of which have taken on meanings beyond their original intent. (Only recently did I discover that LOL stands for "I'm certain you find my attempts at humor as riotously funny as I do.") I am scarcely young enough to adapt.

Our interoffice communications are no different. Once a year I am jarred to find in my inbox a message from John Atkinson with the curious subject line "POTY." I am scarcely old enough to be perturbed: Every 12 months, I have to be re-reminded that POTY stands for Product of the Year.

Jon Iverson Posted: Dec 16, 2014 0 comments
I've enjoyed having one of Cambridge's integrated amps in my office system for years, and the company boasts that the 851 series, designed in the UK and manufactured in China (like the rest of their line), is the best they've produced so far. After spending the last year listening to domestically manufactured DAC-preamps costing $6000 and up, I was curious to hear how a product costing only a quarter of the bottom of that range might stack up.
Robert Deutsch Posted: Dec 16, 2014 0 comments
Ever since I reviewed PrimaLuna's ProLogue Premium, for the June 2012 issue, it has been the model I would turn to when I wanted a moderately priced integrated amplifier to try with a new speaker. It never disappointed me, and never seemed outclassed, even when the speaker was the MartinLogan Montis ($10,000/pair). At $2399, the ProLogue Premium to me represents the "sweet spot" for systems in the range of $4000–$10,000 or higher. Although its 35Wpc may not be enough for some speakers (depending on the room and personal preference), I never had any such problem, regardless of whether the speaker had a built-in powered subwoofer (eg, the Montis or the GoldenEar Technology Triton Two) or was a passive design (Wharfedale's Jade 7 or Focal's Aria 936). With differences noted depending on whether EL34 or KT88 output tubes were used, the ProLogue Premium delivered sound that was always smooth and musically involving.
Herb Reichert Posted: Dec 16, 2014 1 comments
• 1947: General Electric introduces a variable-reluctance phono cartridge with a 0.3mil sapphire stylus and 11mV output.

• 1948: Brook Electronics Inc. (Elizabeth, New Jersey) introduces the 12A audio amplifier and 12A3 preamplifier, beginning the era of high-fidelity audio separates.

Since hi-fi's postwar beginnings, hundreds of high-quality audio inventions for the home have thrilled and satisfied music lovers worldwide. But inevitably, no more than a few score companies, and maybe a dozen or so engineer-designers, have defined audio's most creative and enduring achievements.

Margaret Graham Posted: Dec 16, 2014 Published: Apr 01, 1983 0 comments
Art Pepper: Darn That Dream
Art Pepper, alto sax; Joe Farrell, tenor sax; George Cables, piano; John Dentz, drums; Tony Dumas, acoustic bass.
M&K RealTime Digital RT-309 (LP). Ken Kreisel and John Dentz, prods., Ken Kreisel and Scott Simon, engs. Recorded at The Annex Studio, Hollywood, CA, March 23, 1982. 37:36.

Earl Wild: Works for Piano
Cesar Franck: Prelude, Chorale and Fugue; Gabriel Fauré: Barcarolle No.3 in G Flat, Op.42. Maurice Ravel: Gaspard de la Nuit.
Earl Wild, piano.
Audiofon Stereo 207 (LP). Julian H. Kreeger, prod., Peter McGrath, eng.

Darn That Dream should be of great interest to jazz buffs, as it is one of Art Pepper's last recordings, and a superb recording it is. One hardly feels that one is listening to a disc. Close your eyes and you are in the room with the players. For anyone who enjoys jazz, this record is a must.

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Fred Kaplan Posted: Dec 13, 2014 2 comments
Here, once again, are my picks for the year's best jazz albums...it's been a terrible year for much of the world, but a very good year for the salve of jazz.
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Robert Baird Posted: Dec 12, 2014 7 comments
Clearly, the concept of overexposure never enters Dave Grohl's mind.
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Jason Victor Serinus Posted: Dec 10, 2014 36 comments
The world's first download site devoted exclusively to ultra hi-resolution DXD downloads, Promates Music Store, has launched from Copenhagen. The brainchild of Peter Scheelke, who in 2003 helped found Digital Audio Denmark (DAD), creator of the world's first commercial DXD converter, the site currently offers 26 native DXD recordings (352.8kHz sampling rate and 24-bit bit depth) from labels Dacapo and OUR Recordings.
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Fred Kaplan Posted: Dec 10, 2014 4 comments
For five years in this blog space, I've been urging, begging, audiophile record labels to reissue Masterpieces by Ellington, to my mind Duke Ellington's finest (and finest-sounding) album, on vinyl. Now Chad Kassem of Analogue Sounds has done it, and his QRP pressing is the jaw-dropper of the year...

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