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Robert J. Reina Posted: Nov 20, 2014 0 comments
Harry Pearson (left) with Stereophile founder J. Gordon Holt (right) at a 1988 party in Sea Cliff, NY. Photo: Chris Yuin

I was shocked when I learned that my dear friend Harry Pearson had passed away, on November 4 . . .

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Stereophile Staff Posted: Nov 19, 2014 1 comments
Bethesda, MD retailer JS Audio (4919 St. Elmo Avenue) is having an open house Saturday November 22, 12pm–4pm to debut the new Audio Research Galileo Series amplifier and preamplifier with the Wilson Audio Alexandria XLF loudspeakers!
Sam Tellig Posted: Nov 19, 2014 1 comments
Hi-fi firms have begun in garages. The English Spendor company was started in a bathtub. Or was it a kitchen sink?

By days in the late 1960s and early 1970s, Spencer Hughes worked as part of the BBC's loudspeaker research team. Among other accomplishments, he helped develop the 5" midrange/woofer for the fabled LS3/5A loudspeaker.

J. Gordon Holt Posted: Nov 19, 2014 Published: Jun 01, 1981 8 comments
To audiophiles who are aware that their household line voltage changes under varying loads, and have observed the absolutely fantastic differences in the sound of their system when the next-door neighbor turns on Junior's night light, it may come as a surprise to learn that there are folks out there who think you're full of crap. That's right, Virginia, they don't think you can really hear all those things you pretend to hear. (You are only pretending, aren't you?) They can't hear all those things, so how can you? Well, sometimes they can. They'll even admit that. But those tiny little differences are so trivial that they don't matter no more than a fruitfly's fart. That's the word in scientific circles these days. Or haven't you been following the "establishment" audio press lately?
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J. Gordon Holt Posted: Nov 19, 2014 Published: Oct 01, 1980 5 comments
Natural sounds produce different waveshapes during their positive and negative phases, and playback-system polarity reversal often changes the reproduced sound. Does this mean our ears are phase-responsive, or is there something else here we've been overlooking?

There has been much discussion recently among perfectionists about the importance of what is called "absolute phase" in sound reproduction. Basically, the contention has been that, since many musical sounds are asymmetrical (having different waveforms during positive and negative phases), it is important that a system make the proper distinctions between positive (compression) and negative (rarefaction) phases in playback.

Margaret Graham Posted: Nov 19, 2014 Published: Aug 01, 1983 0 comments
883rotmwest.250.jpgAndre Previn and His Pals: West Side Story
Andre Previn, piano; Shelly Manne, drums; Red Mitchell, double bass.
Mobile Fidelity Sound Lab MFSL 1-095 (LP). Lester Koenig, prod. TT: 38:16

Aaron Copland has called jazz "contemporary chamber music," and this is certainly true of these improvisations by Previn and his friends. I consider this chamber jazz at its best, varying in mood and tempo but never losing interest. The program consists of eight variations on themes from Bernstein's well-known musical, and includes "Maria," "Jet Song," "I Feel Pretty," and "Something's Coming."

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Robert Baird Posted: Nov 14, 2014 6 comments
This is not nostalgia. Far from it. The man still has much to say. His gifts have grown richer. And the devil is a waitin’
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Stereophile Staff Posted: Nov 13, 2014 238 comments
Register to win a pair of Vanatoo Transparent One Speakers (MSRP $499.00) we are giving away.

According to the company:

"The Vanatoo Transparent One powered speakers set a new price/performance benchmark in the audiophile world. They produce unexpectedly great sound quality (honest, tight bass down to 48Hz!) from small bookshelf speakers that give you a lot of flexibility in how you use them. They are equally at home as a desktop audio system, a music streaming solution for a room where you want music but not stacks of equipment, or as a compact system you take with you on your weekend getaways."

All you have to do to enter is leave a comment on this post. Click on the picture above for details on how to enter.

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Kalman Rubinson Posted: Nov 13, 2014 0 comments
It's August as I write this, and I'm looking back at some things that need to be discussed, and forward to the fall audio shows—particularly the 2014 New York Audio Show, which, by the time you read this, will have been held in Brooklyn, September 26–28. I grew up in Brooklyn, not in "the city," Manhattan, a place that we traveled to only for special reasons. Audio shops were rare in Brooklyn—I remember only Audio Exchange—but in Manhattan there was a small cluster near Grand Central Station, there was Lafayette Radio near the Holland Tunnel, a few scattered elsewhere, and the magnet of Liberty Street in lower Manhattan, where more than two city blocks were packed with audio shops.
Michael Fremer Posted: Nov 13, 2014 3 comments
Can a power-supply upgrade produce audible sonic benefits? If you've upgraded the power supply of a phono preamplifier, you probably don't need to be convinced that it does, and those usually cost only a small percentage of the price of the model they power. But to add Simaudio's Moon Evolution 820S power supply ($8000) to the Moon Evolution 650D DAC–CD transport ($9000), which I reviewed in the November 2011 issue, almost doubles the latter's cost—though the 820S can be used to simultaneously power two Moon Evolution components, like the 750D DAC ($14,000), 740P preamplifier ($9500), and 610LP ($7500) and 810LP phono preamplifier ($13,000).

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