Stereophile Staff

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Stereophile Staff Posted: Nov 03, 2003 0 comments
From the May 2002 issue, Michael Fremer positions the Odeon La Traviata loudspeaker in his listening lair, writing, "Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years." But as MF finds, horns may not always do the trick.
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Stereophile Staff Posted: Jan 06, 2002 0 comments
Martin Colloms reviewed the Sonus Faber Guarneri Homage loudspeaker back in 1994, finding that "Sonus Faber provides a fascinating and challenging insight into the art of high-quality sound reproduction." But does the diminutive Guarneri breathe real music? Colloms reports.
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Stereophile Staff Posted: Apr 07, 2002 0 comments
Back in September of 1986, the KEF R107 loudspeaker represented the flagship of KEF's much admired Reference Series. Dick Olsher and a variety of other Stereophile scribes profile this important audio achievement over the course of five years, wrapping up with Tom Norton's 1995 review of the R107/2 "Raymond Cooke Signature Edition."
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Stereophile Staff Posted: Jan 17, 1999 0 comments
Our first article this week is Space . . . the Final Frontier, in which J. Gordon Holt explains both why he feels the High End should abandon two-channel stereo, and why it is misguided in its choice of loudspeakers for stereo reproduction.
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Stereophile Staff Posted: Jul 26, 2004 0 comments
John Atkinson wires up a pair of Gershman Acoustics Opera Sauvage loudspeakers, noting, "'Mellow' was the word I used to describe my first impression of the Opera Sauvage's balance, and nothing I experienced throughout my auditioning persuaded me that that impression was mistaken."
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Stereophile Staff Posted: May 12, 2002 0 comments
John Atkinson heads across America's great plains toward Kansas to engineer a brand-new recording that he and Les Berkley document in A Mosaic of Music: Stereophile's Clarinet Quintet CD. For the new CD, JA returns again to Chad Kassem's audio Mecca, noting that "105 takes of the Mozart and 102 takes of the Brahms later, we had gotten everything down on tape in two days of intense music-making."
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Stereophile Staff Posted: Feb 13, 2000 0 comments
Kal Rubinson gets right to the point: "I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel." The Meridian Digital Theatre surround-sound music system is therefore a product that puts Kal's vision to the test. Kal details the system, which consists of two DSP6000 front L/R speakers, one DSP6000C center-channel speaker, two DSP5000 speakers used for surround, the Reference 800 DVD/CD player, and the Reference 861 System Controller. But does the Meridian system live up to his expectations regarding the potential of surround-sound for music?
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Stereophile Staff Posted: Dec 17, 2000 0 comments
Record 10 CDs worth of music in one weekend? John Atkinson writes: "I blanched. This was an enormous task: 32 sonatas; 103 individual movements; more than 11 hours of music—11 hours, 26 minutes, and 25 seconds, as it turned out." How to record Canadian pianist Robert Silverman performing Ludwig van Beethoven's 32 Piano Sonatas in such a short time? JA explains the revolutionary process in detail.
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Stereophile Staff Posted: Mar 05, 2000 0 comments
Wes Phillips writes: "If, as some would have it, Audiophilia nervosa is like the dark night of reason, then certain audio epiphanies must necessarily stand out from a distance, like a grove of trees 20 miles away thrown into stark relief by prairie lightning." In his review of the B&W Nautilus 801 loudspeaker, WP recounts that "the B&W Nautilus 801 has the stuff to keep me in fireplace fantasies throughout my dotage, and probably well into my (hyper)active middle age to boot."
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Stereophile Staff Posted: Apr 02, 2000 0 comments
For "Fine Tunes" #17, Jonathan Scull presents readers with the ultimate bachelor-pad mod for speaker stands: shiny black trash bags. More important, Scull investigates why we even try these things in the first place.

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