Stereophile Staff

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Aug 25, 2002 0 comments
"I wouldn't characterize my life as 'a search for bigger and better toys,' but I am intrigued by interesting things—like the Impact Airfoil 5.2 loudspeaker system," says Brian Damkroger as he steels himself for another review. BD goes in search of an answer to the Airfoil dilemma: "big toy, new toy, neat toy, better toy?"
Filed under
Stereophile Staff Posted: Apr 08, 2001 0 comments
John Atkinson finds that the Dynaudio Contour 1.3 Mk.II loudspeaker—a completely overhauled iteration of the original Contour 1.3 Mk.I, released several years back—reveals details in recordings that most speakers smooth right over. JA reveals other details about the Contour in his review, complete with comments on the Contour 1.3 Special Edition from Sam Tellig.
Filed under
Stereophile Staff Posted: Aug 02, 2004 0 comments
Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."
Filed under
Stereophile Staff Posted: Mar 18, 2001 0 comments
Tweaks can rear their pointy little heads in the most unexpected of places, as Stereophile's inimitable Jonathan Scull discovered recently when he stubbed his toe. In Fine Tunes #33, J-10 reveals the floor screw tweak and many more.
Filed under
Stereophile Staff Posted: Jun 28, 2004 0 comments
Brian Damkroger listens long and hard to the Primare D30.2 CD player noting, "Primare is reluctant to provide much technical detail about their designs, preferring to let their products do the talking." So after a little chatting, BD files his report.
Filed under
Stereophile Staff Posted: Feb 02, 2004 0 comments
From the January 2004 issue, Michael Fremer writes about the "SUV-like, limited-edition, 20th-anniversary" Musical Fidelity Tri-Vista kWP preamplifier & Tri-Vista kW Monobloc power amplifier. No doubt the "bank-vault-like" designs will get your attention, but as Fremer discovers, after you close your eyes, it's "sheer sonic pleasure."
Filed under
Stereophile Staff Posted: Aug 10, 2003 0 comments
The marque may be gone, but Proceed's PAV audio/video preamplifier is not forgotten. In 1994, Thomas J. Norton examined the breakthrough the PAV represented, stating, "It was inevitable that traditional high-end audio manufacturers would begin producing equipment for the fast-growing home-theater market."
Filed under
Stereophile Staff Posted: Jun 21, 2004 0 comments
In his review of the Velodyne Digital Drive DD-18 powered subwoofer, Larry Greenhill comments, "When I've tested other 'breakthrough' subwoofers, I've been disappointed. All the convenient fine-tuning in the world won't matter if I end up with the same nasty old room modes and woofer bloat." But as LG discovers, the DD-18 is indeed different.
Filed under
Stereophile Staff Posted: Aug 13, 2000 0 comments
When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the Richard Gray's Power Company 400S AC line conditioner last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
Filed under
Stereophile Staff Posted: Jul 16, 2000 0 comments
Chip Stern notes that, "as often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for Clip." And fire away he does in "Snobs, Slobs, & Marley's Ghost," added to the Archives this week.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading