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Stereophile Staff Posted: Nov 25, 2001 0 comments
Jonathan Scull takes a gander at the dCS Purcell D/D converter, and tries to make sonic sense out of the merits of upsampling. Scull writes, "So while the true differences between upsampling and oversampling remain murky, my pleasant mission is to report on the sound of the Purcell and compare it to the latest version of the pro-audio version, the 972."
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Stereophile Staff Posted: Nov 10, 2003 0 comments
The first part of our subwoofer review trilogy finds Larry Greenhill plumbing the depths with the Paradigm Reference Servo-15 powered subwoofer. Greenhill says that the wide range of adjustments available on the Servo-15 can help it blend into most environments—but having all that choice can cut both ways, notes LG.
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Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
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Stereophile Staff Posted: May 04, 2003 0 comments
In 1997, Martin Colloms reviewed the Krell Full Power Balanced 600 power amplifier, wondering "Can a 600Wpc amplifier be relevant to domestic high fidelity?"
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Stereophile Staff Posted: Feb 20, 2000 0 comments
Markus Sauer is in a ponderous audio mood: "When several listeners each play music they like on the system, their reaction should be more uniform. But it isn't. What irks me is that, while we seem to be able to agree pretty well on how a system sounds, there seems to be no consistency of emotional reaction to this sound . . . " Sauer works through this troubling aspect of being an audiophile in "God is in the Nuances." "This journal has seen a number of thoughtful ruminations on what it is that attracts us to music or to a given audio component, and how we should describe that attraction." Now it's Sauer's turn.
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Stereophile Staff Posted: Apr 27, 2003 0 comments
Digital jitter was a lively topic in the mid-'90s, and the Genesis Technologies Digital Lens was created to tame it. Robert Harley reviews the product and explains why the Lens became an essential part of his system at the time. JA adds comments.
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Stereophile Staff Posted: Jul 06, 2003 0 comments
Beginning in November 1996, Sam Tellig, Muse Kastanovich, and John Atkinson took turns with the Musical Fidelity X-10D line-level preamplifier. "I'll reveal the true identity of X-10D in a moment," Tellig writes. "But I'll say straight off that for those of you with such CD players as the Marantz CD 63, RadioShack Optimus CD-3400, etc, this may be the most cost-effective CD upgrade ever to come down the pike."
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Stereophile Staff Posted: Apr 22, 2001 0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
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Stereophile Staff Posted: Mar 16, 2003 0 comments
John Atkinson finishes his survey of pricey floor-standing speakers with a review of the Dynaudio Confidence C4 loudspeaker. JA notes that, "despite its $16,000/pair price, the C4 has much in common with its cost-no-object cousins in Dynaudio's Evidence line."
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Stereophile Staff Posted: May 18, 2003 0 comments
Several readers have been asking "What's with all of the Musical Fidelity reviews in Stereophile?" Michael Fremer fearlessly wires the Musical Fidelity Tri-Vista SACD player into his system, noting, "Overachievers tend to rankle people after a while."

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